Sustainability can't be like some sort of a moral sacrifice or political dilemma or a philanthropical cause. It has to be a design challenge.
Bjarke IngelsRead
I believe that architecture, as anything else in life, is evolutionary. Ideas evolve; they don't come from outer space and crash into the drawing board.
Interpretation
Architecture evolves over time through gradual changes rather than sudden bursts of inspiration.
Bjarke Ingels emphasizes that architecture, much like any other discipline, is not a static creation but rather a progressive journey. Ideas develop and grow from previous concepts, influenced by context and experience, rather than appearing fully formed without origin. This highlights the importance of evolution in creative processes.
In practice
In a lecture on design principles, one might use this quote to illustrate the importance of evolutionary thinking in creative fields.
Sustainability can't be like some sort of a moral sacrifice or political dilemma or a philanthropical cause. It has to be a design challenge.
One of the dilemmas of architecture in general is that there is a Catch-22 - you can't actually get to be commissioned to do certain types of building until you've already built that type of building. So it seems to be incredibly hard to get going.
For me, architecture is the means, not the end. It's a means of making different life forms possible.
Design our world so that we have positive social and environmental side effects.
In the big picture, architecture is the art and science of making sure that our cities and buildings fit with the way we want to live our lives.
I don't have to come up with the best idea. It is my job to make sure that it is always the best idea that wins.
Music helps you find the truths you must bring into the rest of your life.
Never be ashamed to write a melody that people remember.
Stories always have held conflicts and contrasts, highs and lows, life and death situations. And there can be much suffering in stories, but now we say the artist doesnβt have to suffer to show suffering. You just have to understand the human condition, understand the suffering.
Drawing is the root of everything, and the time spent on that is actually all profit.
If you get something right, you really feel it, right in your chest, on stage. I think it's an incomparable experience.
As a kid, I used to dream about airplanes before I ever flew in one. I really knew, when I started photographing, I wanted it to be a way of knowing different cultures, not just in other countries but in this country, too, and I knew I wanted to enter other lives. I knew I wanted to be a voyeur.
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