Sustainability can't be like some sort of a moral sacrifice or political dilemma or a philanthropical cause. It has to be a design challenge.
Bjarke IngelsRead
I believe that architecture, as anything else in life, is evolutionary. Ideas evolve; they don't come from outer space and crash into the drawing board.
Interpretation
Architecture evolves over time through gradual changes rather than sudden bursts of inspiration.
Bjarke Ingels emphasizes that architecture, much like any other discipline, is not a static creation but rather a progressive journey. Ideas develop and grow from previous concepts, influenced by context and experience, rather than appearing fully formed without origin. This highlights the importance of evolution in creative processes.
In practice
In a lecture on design principles, one might use this quote to illustrate the importance of evolutionary thinking in creative fields.
Sustainability can't be like some sort of a moral sacrifice or political dilemma or a philanthropical cause. It has to be a design challenge.
One of the dilemmas of architecture in general is that there is a Catch-22 - you can't actually get to be commissioned to do certain types of building until you've already built that type of building. So it seems to be incredibly hard to get going.
For me, architecture is the means, not the end. It's a means of making different life forms possible.
Design our world so that we have positive social and environmental side effects.
In the big picture, architecture is the art and science of making sure that our cities and buildings fit with the way we want to live our lives.
I don't have to come up with the best idea. It is my job to make sure that it is always the best idea that wins.
Writing poetry is the hard manual labor of the imagination.
Without the faintest possibility of finding a job, I decided to devote myself to literature: it was about time to find out what I was worth as a writer.
The moon was sharp enough to draw blood from a stone
The impact of the black audience is expressing itself. They look to films to be more expressive of their needs, their lives. Hollywood has gotten that message - finally.
She said it out loud, the words distributed into a room that was full of cold air and books. Books everywhere! Each wall was armed with overcrowded yet immaculate shelving. It was barely possible to see paintwork. There were all different styles and sizes of lettering on the spines of the black, the red, the gray, the every-colored books. It was one of the most beautiful things Liesel Meminger had ever seen. With wonder, she smiled. That such a room existed!
If artists and poets are unhappy, it is after all because happiness does not interest them.
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