People don't talk to you properly. It's the way they talk to you; they dismiss you. I think it's a combination of me being a woman and a foreigner.
Zaha HadidRead
Architecture is really about well-being. I think that people want to feel good in a space ... On the one hand it's about shelter, but it's also about pleasure.
Interpretation
Architecture combines functionality and aesthetics to enhance well-being.
Zaha Hadid emphasizes that architecture serves not only as a physical shelter but also plays a crucial role in eliciting emotional responses and fostering a sense of well-being. This highlights the importance of designing spaces that are both functional and pleasurable, creating environments where people can thrive and feel comfortable.
In practice
This quote can be used in a discussion about the importance of thoughtful architecture in urban planning.
People don't talk to you properly. It's the way they talk to you; they dismiss you. I think it's a combination of me being a woman and a foreigner.
I don't think people should do things because you know, 'I am turning this age, I must go have a husband.' If you find somebody and it works out then have kids, it's very nice. But if you don't, you don't.
It is insufficient for architecture today to directly implement an existing building typology; it instead requires architects to carefully examine the whole area with new interventions and programmatic typologies
It's very important that historic cities are allowed to reinvent their future.
You have to really believe not only in yourself; you have to believe that the world is actually worth your sacrifices.
If you think about making a city that is much more porous, many accessible spaces, that is a political position, because you don't fortify, you open it up so that many people can use it.
No matter how many times you do it, you don't get used to the sadness - for me at least - of coming to the end of a film.
There's nothing prettier in the world than a melody. I can get lost in a song with a melody. A lot of times I have, and the song wasn't that good, but I would get lost in that melody, and I'd want to do the song.
Thereβs no grandfatherly fondness in me, There are no gray hairs in my soul! Shaking the world with my voice and grinning, I pass you by, - handsome, Twentytwoyearold.
Whatever is felt upon the page without being specifically named there β that, one might say, is created.
A girl came in the cafe and sat by herself at a table near the window. She was very pretty with a face fresh as a newly minted coin if they minted coins in smooth flesh with rain-freshened skin, and her hair black as a crow's wing and cut sharply and diagonally across her cheek.
My portraits are more about me than they are about the people I photograph.
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