Utopia is in the moment. Not in some future time, some other place, but in the here and now, or else it is nowhere.
Alfred StieglitzRead
In photography there is a reality so subtle that it becomes more real than reality.
Interpretation
Photography captures a deeper reality that transcends mere appearances.
This quote by Alfred Stieglitz reflects the power of photography as an art form. It suggests that through the lens of a camera, photographers can capture emotions, perspectives, and truths that may not be immediately visible in the world around us, creating an experience of reality that feels more profound and genuine than ordinary life. The artistry involved in framing, timing, and light can convey deeper meanings and evoke feelings that resonate more intensely than the physical reality itself.
In practice
In an art gallery, discussing the depth of photography.
Utopia is in the moment. Not in some future time, some other place, but in the here and now, or else it is nowhere.
It is not art in the professionalized sense about which I care, but that which is created sacredly, as a result of a deep inner experience, with all of oneself, and that becomes 'art' in time.
The fight for photography became my life.
A woman artist could be one of those intuitive geniuses [who] have kept their childlike spirit and have added to it breadth of vision and experience.
There is nothing so wrong as accepting a thing merely because men who have done things say it should be so.
There are many schools of painting. Why should there not be many schools of photographic art? There is hardly a right and a wrong in these matters, but there is truth, and that should form the basis of all works of art.
The number of people who read a poem is not as important as how the poem affects those who read it.
People love fashion exhibits because they can fantasize. They can respond to a dress even if they can never wear a dress like that.
The music we play has to be tomorrow's, the things we say have to be today, and the reason for bothering is yesterday.
When I'm in the studio, I'm looking for creativity I haven't matched yet, a feeling I haven't felt. It's a high.
I just want to go on making movies, and some of them will be completely meaningless, except, of course, to me.
As a director you have to be careful you don't over-design the film. You have to be careful that the period aspect does not take over.
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