Utopia is in the moment. Not in some future time, some other place, but in the here and now, or else it is nowhere.
Alfred StieglitzRead
A woman artist could be one of those intuitive geniuses [who] have kept their childlike spirit and have added to it breadth of vision and experience.
Interpretation
The quote highlights the unique perspective of woman artists who blend creativity with innate intuition and experience.
Alfred Stieglitz's quote reflects the idea that woman artists possess a special ability to maintain a childlike wonder and intuition while enriching their creativity with life experience and a broader vision. This combination allows them to innovate and create art that resonates deeply and expresses profound insights into the human experience.
In practice
In a discussion about the contributions of female artists in modern art.
Utopia is in the moment. Not in some future time, some other place, but in the here and now, or else it is nowhere.
In photography there is a reality so subtle that it becomes more real than reality.
It is not art in the professionalized sense about which I care, but that which is created sacredly, as a result of a deep inner experience, with all of oneself, and that becomes 'art' in time.
The fight for photography became my life.
There is nothing so wrong as accepting a thing merely because men who have done things say it should be so.
There are many schools of painting. Why should there not be many schools of photographic art? There is hardly a right and a wrong in these matters, but there is truth, and that should form the basis of all works of art.
And I may often question choices I make as a producer. But I've never questioned the choices I make as a director.
Those are miracles that no merely human brain can work. The artist is merely the sound conduct of a Force that dictates to him what he should do.
What, or who, led you to take up photography, and about what date ?_x000D_ George Bernard Shaw β I always wanted to draw and paint. I had no literary ambition. I aspired to be a Michelangelo, not a Shakespeare. But I could not draw well enough to satisfy myself; and the instruction I could get was worse than useless. So when dry plates and push buttons came into the market I bought a box camera and began pushing the button. It was in 1898.
Making money is art and working is art and good business is the best art.
I remember hearing someone say that good acting is more about taking off a mask than putting one on, and in movie acting, certainly that's true. With the camera so close, you can see right down into your soul, hopefully. So being able to do that in a way is terrifying, and in another way, truly liberating. And I like that about it.
What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.
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