It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
Mark RothkoRead
We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.
Interpretation
Rothko advocates for simplicity in artistic expression to convey deeper truths.
In this quote, Mark Rothko emphasizes the importance of simplicity in art as a means to communicate complex ideas effectively. He believes that flat forms and simple expressions eliminate illusion, allowing viewers to connect with the raw truth of the artwork, thereby challenging traditional perceptions of depth and complexity in visual representation.
In practice
In a lecture on modern art, you might say, 'As Rothko states, we favor the simple expression of complex thoughts.'
It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
Look, it's my misery that I have to paint this kind of painting, it's your misery that you have to love it, and the price of the misery is thirteen hundred and fifty dollars.
The artist invites the spectator to take a journey within the realm of the canvas... Without taking the journey, the spectator has really missed the essential experience of the picture.
The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.. the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.
If our titles recall the known myths of antiquity, we have used them again because they are the eternal symbols upon which we must fall back to express basic psychological ideas.
Art to me is an anecdote of the spirit, and the only means of making concrete the purpose of its varied quickness and stillness.
True ornament is not a matter of prettifying externals. It is organic with the structure it adorns, whether a person, a building, or a park. At its best it is an emphasis of structure, a realization in graceful terms of the nature of that which is ornamented
Misery, anger, indignation, discomfort-those conditions produce literature. Contentment-never. So there you are.
Beginning a novel is always hard. It feels like going nowhere. I always have to write at least 100 pages that go into the trashcan before it finally begins to work. It's discouraging, but necessary to write those pages. I try to consider them pages -100 to zero of the novel.
The artist doesn't really think about consequences - he or she does the work, stands back and looks at and thinks, 'Hmm, that could have worked better like this.' But as a person who needs to sell tickets to do the next work, one needs to analyze how it does or does not hit its mark.
All you're trying to do in an improvisation is get as much material as possible for the editing room.
To be honest, the biggest reason I write music and became a musician was to create the amount of joy that I felt about music to anyone else. To me, that's a job well done.
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