It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
Mark RothkoRead
If our titles recall the known myths of antiquity, we have used them again because they are the eternal symbols upon which we must fall back to express basic psychological ideas.
Interpretation
The quote emphasizes the importance of ancient myths as foundational symbols for conveying deep psychological concepts in art.
Mark Rothko suggests that the titles he chooses for his works are not arbitrary but rather rooted in the timeless myths and symbols of history. These myths serve as essential tools for artists to communicate complex psychological themes that resonate on a deeper level with human experience, making them relevant across generations.
In practice
In a discussion about the influence of mythology on modern art, this quote can illustrate how artists draw from historical symbols.
It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
Look, it's my misery that I have to paint this kind of painting, it's your misery that you have to love it, and the price of the misery is thirteen hundred and fifty dollars.
We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.
The artist invites the spectator to take a journey within the realm of the canvas... Without taking the journey, the spectator has really missed the essential experience of the picture.
The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.. the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.
Art to me is an anecdote of the spirit, and the only means of making concrete the purpose of its varied quickness and stillness.
Fiction cannot recite the numbing numbers, but it can be that witness, that memory. A storyteller can attempt to tell the human tale, can make a galaxy out of the chaos, can point to the fact that some people survived even as most people died. And can remind us that the swallows still sing around the smokestacks.
I want to create a world with objects and surroundings that are human, more romantic, and less sterile.
No art is sunk in the self, but rather, in art the self becomes self-forgetful in order to meet the demands of the thing seen and the thing being made.
I had to learn to do everything because I couldn't find another kindred soul. Now you see eighty people listed doing the same things I was doing by myself.
Every authentic poem contributes to the labor of poetry... to bring together what life has separated or violence has torn apart... Poetry can repair no loss, but it defies the space which separates. And it does this by its continual labor of reassembling what has been scattered.
If you write a letter of resignation or something with an agenda, you're simply using a pen to record what you have thought out. In a poem, the pen is more like a flashlight, a Geiger counter, or one of those metal detectors that people walk around beaches with.
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