When I die, they'll bury the blues with me. But the blues will never die.
John Lee HookerRead
If they played more blues, people would just get it - they try to hold it back but just about can't hold it back now because the blues is really going.
Interpretation
The power of blues music can connect deeply with people, revealing emotions they often suppress.
John Lee Hooker emphasizes the profound impact of blues music on human emotions and experiences. He suggests that when more blues music is played, it resonates with people on a fundamental level, allowing them to confront and express feelings they might typically try to hide. The blues serves as a means of connection and authenticity, breaking through emotional barriers.
In practice
In a discussion about music therapy, this quote can highlight how blues music helps in emotional healing.
When I die, they'll bury the blues with me. But the blues will never die.
The blues tells a story. Every line of the blues has a meaning.
Like you and your woman ain't gettin' along and you're in love. You can't sleep at nights. Your mind is on her - on whatever. You know, that's the blues. You can't hug that money at night. You can't kiss it.
I don't play a lot of fancy guitar. I don't want to play it. The kind of guitar I want to play is mean, mean licks.
They wasn't gonna give you nothin'. I didn't care as long as they let me play my music. Cash on the spot... You cheat me and I'm gonna get me some money, too.
You can go to Europe, and there's no turnin' back - any parts of Europe. Wherever you are, there is no stop and go for the blues. The blues go but it don't stop.
Rock'n'roll as a genre is different from pop and hip hop: it is about bands, and that for me suggests brotherhood, family, friendship and community.
Clare Fischer was a major influence on my harmonic concept. He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it really came from. Almost all of the harmony that I play can be traced to one of those four people and whoever their influences were.
When I auditioned for my high school band the band director was excited because my father was known to be a great musician. When he heard me, he said 'Are you sure you're Ellis's son?'
After all we did for Britain, selling that corduroy and making it swing, all we got was a bit of tin on a piece of leather.
We all have idols. Play like anyone you care about but try to be yourself while you're doing so.
People have been brainwashed into believing that it's got to be down or it wouldn't be blues. But it's not so. It's got to be a fact or it wouldn't be blues.
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