If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
Michael Bloomfield came in after rock n roll started, and he was a great guitarist. He idolized me - I know that. What else can I say ? he was a young, excitable man. To him, drugs were plentiful, and that was no good. I talked to him like he was a son of mine. He was a great and he was gonna be greater. But he was part of the "in-crowd" and so he never got there
Interpretation
What this quote means
B. B. King reflects on the promising talent of Michael Bloomfield and the negative influence of drugs on his potential.
In this quote, B. B. King expresses his admiration for the young guitarist Michael Bloomfield, recognizing his talent and potential for greatness. However, he also acknowledges the detrimental impact of drugs on Bloomfield's career, highlighting the struggles that artists face in navigating their gifts amid the temptations that come with fame and acceptance in the music industry. King's paternal tone emphasizes not only his respect for Bloomfield but also a sense of loss for what might have been had the young guitarist made different choices.
Themes
In practice
Example use cases
During a discussion on the impact of drugs on musicians, this quote can serve as a poignant reminder of lost potential.
More from B. B. King
All quotes →The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
A guitar is like an old friend that is there with me.
I have not been a good father, but no father has loved his children more. Like my father, I decided the best thing I could do for my kids was work and provide. Fortunately, I've been able to do that. Unfortunately, my work was on the road, and that's meant a life of one-nighters.
People all over the world have problems. And as long as people have problems, the blues can never die.
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My whole life, my whole soul, my whole spirit is to blow that horn.
One of the things that touches me most when I play for an audience is that although we may be unable to communicate in words or have diametrically opposed views on hot-button issues, while the music sounds we can be at peace, we can be friends. The vibrations that fill an auditorium have no passports, and they unite ears when hearts may be divided.
When you sing, you pray twice.
Nobody taught me to play bottleneck. I just saw it and taught myself. I got an old bottle and steamed the label off, put it on the wrong finger, I basically did everything wrong until I met some of the Blues legends early in my career who taught me another way. I didn't have anyone to tell me women didn't play bottleneck.
I never made beats to make beats; I only made them when there was a record to make them for. That's one of the things that has changed in hip-hop that's made me like it less. It feels much more like it's a producer-driven medium, where there are all these tracks that are completely interchangeable.
It was stumbling on to really the bible of the blues, you know, and a very powerful drug to be introduced to us and I absorbed it totally, and it changed my complete outlook on music.