I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
Mary OliverRead
I like books that are fat and full.
Interpretation
The quote expresses a love for books that are rich in content and detail.
Mary Oliver's quote reflects her appreciation for literature that offers depth, substance, and a wealth of information. It suggests that she values works that not only fill pages but also engage readers with thoughtful and immersive experiences, akin to savoring a hearty meal over a light snack.
In practice
In a speech on the importance of education, you could reference this quote to emphasize the value of rich literary works.
I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
At the time I was growing up, literature was involved with the so-called confessional poets. And I was not interested in that. I did not think that specific and personal perspective functioned well for the reader at all.
I know the sag of the unfinished poem. And I know the release of the poem that is finished.
For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry.
If I have any lasting worth, it will be because I have tried to make people remember what the Earth is meant to look like.
Every day I see or hear something that more or less kills me with delight, that leaves me like a needle in the haystack of light.
Writing for me is cutting out the fat and getting to the meaning.
Writing is perhaps the greatest of human inventions.
I write poetry because I can’t disobey the impulse; it would be like blocking a spring that surges up in my throat. For a long time I’ve been the servant of the song that comes, that appears and can’t be buried away. How to seal myself up now?…It no longer matters to me who receives what I submit. What I carry out is, in that respect, greater and deeper than I, I am merely the channel.
What comes first? The melody, always. It's all about singing the melodies live in my head. They go in circles. I guess I'm quite conservative and romantic about the power of melodies. I try not to record them on my Dictaphone when I first hear them. If I forget all about it and it pops up later on, then I know it's good enough. I let my subconscious do the editing for me.
The only thing we are as actors are messengers. That's all we are. Correct? We are delivering the playwright's intention through the concept of the director. And I come on stage; if I feel confident in the role, then I give it away.
Doubtless criticism was originally benignant, pointing out the beauties of a work rather that its defects. The passions of men have made it malignant, as a bad heart of Procreates turned the bed, the symbol of repose, into an instrument of torture.
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