I believe that the reason why I love painting so much is that it forces one to be objective. There is nothing I hate more than sentimentality.
Max BeckmannRead
I am seeking for the bridge which leans from the visible to the invisible through reality.
Interpretation
The quote reflects a quest for understanding the deeper truths beyond what is immediately observable.
Max Beckmann's quote suggests a desire to find a connection between the tangible world and the underlying realities that are not immediately seen. It emphasizes the importance of exploring beyond the surface of existence to uncover deeper meanings and insights that influence our understanding of life and art.
In practice
Use this quote in a discussion about the relationship between art and perception.
I believe that the reason why I love painting so much is that it forces one to be objective. There is nothing I hate more than sentimentality.
My heart beats more for a raw, average vulgar art, which doesn't live between sleepy fairy-tale moods and poetry but rather concedes a direct entrance to the fearful, commonplace, splendid and the average grotesque banality in life.
I hardly need to abstract things, for each object is unreal enough already, so unreal that I can only make it real by means of painting.
Be careful, lest in casting out your demon you exorcise the best thing in you.
I came to a point where I needed solitude and just stop the machine of ‘thinking’ and ‘enjoying’ what they call ‘living’, I just wanted to lie in the grass and look at the clouds.
...any belief in supernatural creators, rulers, or influencers of natural or human process introduces an irreparable split into the universe, and prevents us from grasping its real unity. Any belief in Absolutes, whether the absolute validity of moral commandments, of authority of revelation, of inner certitudes, or of divine inspiration, erects a formidable barrier against progress and the responsibility of improvement, moral, rational, and religious.
Either the translator leaves the author in peace, as much as is possible, and moves the reader towards him: or he leaves the reader in peace, as much as possible, and moves the author towards him.
There were days when she was unhappy, she did not know why,--when it did not seem worthwhile to be glad or sorry, to be alive or dead; when life appeared to her like a grotesque pandemonium and humanity like worms struggling blindly toward inevitable annihilation.
Oftentimes I deliberately put ambiguity into my books so that... the reader is left with an echo of: 'How much of this was from me?'
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