I believe that the reason why I love painting so much is that it forces one to be objective. There is nothing I hate more than sentimentality.
Max BeckmannRead
My heart beats more for a raw, average vulgar art, which doesn't live between sleepy fairy-tale moods and poetry but rather concedes a direct entrance to the fearful, commonplace, splendid and the average grotesque banality in life.
Interpretation
The quote celebrates raw and unrefined art that depicts the ordinary and often uncomfortable aspects of life.
Max Beckmann's quote expresses a deep appreciation for art that is grounded in reality, rather than idealistic or fantastical representations. He suggests that true art captures the raw essence of life, including its fears, commonplace experiences, and even its 'grotesque' elements, thus resonating more authentically with the human experience.
In practice
This quote can be used in an art critique to emphasize the value of unconventional and raw artistic expressions over polished or idealized works.
I believe that the reason why I love painting so much is that it forces one to be objective. There is nothing I hate more than sentimentality.
I hardly need to abstract things, for each object is unreal enough already, so unreal that I can only make it real by means of painting.
I am seeking for the bridge which leans from the visible to the invisible through reality.
It is a mistake for a sculptor or a painter to speak or write very often about his job. It releases tension needed for his work.
If there’s a thing, a scene, maybe, an image that you want to see real bad, that you need to see but it doesn’t exist in the world around you, at least not in the form that you envision, then you create it so that you can look at it and have it around, or show it to other people who wouldn’t have imagined it because they perceive reality in a more narrow, predictable way. And that’s it. That’s all an artist does.
Taste is the best judge. It is rare. Art only addresses itself to an excessively small number of individuals.
I love being onstage. I love the relationship with the audience. I love the letting go, the sense of discovery, the improvising.
I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.
When you use film, you use accidents, but there aren't any accidents with digital photography. I don't mind that it's easy. But I do mind that there is a sort of consensus with the camera and the subject and the light, and you look at something, and you photograph it, and you get what you see.
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