My heart beats more for a raw, average vulgar art, which doesn't live between sleepy fairy-tale moods and poetry but rather concedes a direct entrance to the fearful, commonplace, splendid and the average grotesque banality in life.
Max BeckmannRead
I believe that the reason why I love painting so much is that it forces one to be objective. There is nothing I hate more than sentimentality.
Interpretation
The quote highlights the objectivity of painting as an antidote to emotional excess.
Max Beckmann expresses his deep appreciation for painting as it compels the artist to approach their work with a level of objectivity, distancing oneself from sentimental feelings. He contrasts this artistic discipline with his aversion to sentimentality, suggesting that true artistic expression should be grounded in clarity and authenticity rather than emotional overindulgence.
In practice
During an art lecture, to illustrate the importance of objectivity in artistic expression.
My heart beats more for a raw, average vulgar art, which doesn't live between sleepy fairy-tale moods and poetry but rather concedes a direct entrance to the fearful, commonplace, splendid and the average grotesque banality in life.
I hardly need to abstract things, for each object is unreal enough already, so unreal that I can only make it real by means of painting.
I am seeking for the bridge which leans from the visible to the invisible through reality.
In its primary aspect, a painting has no more spiritual message than an exquisite fragment of Venetian glass. The channels by which all noble and imaginative work in painting should touch the soul are not those of the truths of lives.
A good poet feels what his community feels. _x000D_ Like if you stub your toe, the rest of your body hurts.
To make films, you have to have something to say. To have something to say, you have to be a student of life. And to be a student of life, you have to be feeding yourself with what life, politics, society, and your family fuels you with.
The sound and music are 50% of the entertainment in a movie.
For me, playwriting is and has always been like making a chair. Your concerns are balance, form, timing, lights, space, music. If you don't have these essentials, you might as well be writing a theoretical essay, not a play.
From 1968 on, I was pretty much the black, gay SF writer.
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