I must admit I am nervous about getting Alzheimer's. Once it hits, I might tell my best joke and never know it.
Joan RiversRead
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
Interpretation
The quote emphasizes the importance of experiencing live theater, particularly in New York City.
Joan Rivers passionately argues for the significance of attending theater performances in New York, asserting that to miss out on these shows is a foolish decision. She celebrates the vibrancy and diversity of the Broadway scene, encouraging everyone to immerse themselves in the artistic culture that the city offers, conveying both love for theater and a sense of urgency to enjoy this unique experience.
In practice
During an interview about cultural experiences in New York City.
I must admit I am nervous about getting Alzheimer's. Once it hits, I might tell my best joke and never know it.
"I've learned what's funny verbally ain't so funny on e-mail: They don't hear your intonations. Melissa broke up with somebody over that. She tried to tell him: "That was a joke!" But he just didn't get it. Mick Jagger said, "F- 'em if they don't get the joke." And I love him. That comes with age: Knowing it's their problem, not mine."
I enjoy life when things are happening. I don't care if it's good things or bad things. That means you're alive.
Life goes by fast. Enjoy it. Calm down. It's all funny.
Life is so tough. I don't know how old you are, but I've seen so much in a wink. One phone call and your life is changed forever. We all know that. You better laugh at everything.
I walk on a stage, and I know if it's been a good show or not. You know when it's been a good interview. No one has to tell you. You know it. You feel it. You can feel the air. You can feel everything about it when it's a good show. And you know when you've messed up.
All writers of fiction will at some point find themselves abandoning a piece of work - or find themselves putting it aside, as we gently say.
The thing that hasn't changed, and I don't think will ever change, is that the operative word in music is "play." You have to have a playfulness about it. As the world shifts, it's starting to understand more and more that to have a playfulness about any and everything is actually the way of having a better life, or being more creative, or being more productive.
The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller.
Wherever the poetry of myth is interpreted as biography, history, or science, it is killed.
Here let dead poetry rise once more to life.
I always have a basic plot outline, but I like to leave some things to be decided while I write.
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