As the beautiful does not exist for the artist and poet alone—though these can find in it more poignant depths of meaning than other men—so the world of Reality exists for all; and all may participate in it, unite with it, according to their measure and to the strength and purity of their desire.
I want my buildings to take root and look as if they've always been there. It isn't about pastiche or adapting what's already there. It's about trying to blend the future and the past.
Interpretation
What this quote means
The quote emphasizes the importance of creating buildings that harmonize with their surroundings and reflect both history and modernity.
Moshe Safdie's quote highlights the architectural philosophy of designing structures that feel organic to their environment, suggesting that buildings should embody a timeless essence rather than merely replicate existing styles. The aim is to create spaces that respect the past while innovating for the future, ultimately resulting in a balanced coexistence of historical and contemporary influences.
Themes
In practice
Example use cases
In a speech discussing sustainable architecture, one might say, 'As Moshe Safdie suggested, I want my buildings to take root and look as if they've always been there.'
Similar quotes
I love rock-n-roll. I think it's an exciting art form. It's revolutionary. Still revolutionary and it changed people. It changed their hearts. But yeah, even rock-n-roll has a lot of rubbish, really bad music.
If we end up creating a gameplay structure where it makes sense for, whether it's a female to go rescue a male or a gay man to rescue a lesbian woman or a lesbian woman to rescue a gay man, we might take that approach.
Jiro Ono serves Edo-style traditional sushi, the same 20 or 30 pieces he's been making his whole life, and he's still unsatisfied with the quality and every day wakes up and trains to make the best. And that is as close to a religious experience in food as one is likely to get.
I'm going to take the kids away over Christmas but I don't, I've written 14 musicals now, I don't want to rush into doing something just for the sake of doing it. I want to do it when I find a story.
They ... asked me: 'How do you make your pictures?' I was puzzled ... I said, I don't know, it's not important.