I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I'm too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things - it's my Italian heritage.
Francis Ford CoppolaRead
I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians.
Interpretation
Coppola highlights the deep connection between cinema and magic, emphasizing their shared historical roots.
Francis Ford Coppola reflects on the intrinsic relationship between cinema and magic, suggesting that the illusion and wonder present in filmmaking originated from the artistry of magicians. He implies that the early filmmakers, akin to magicians, were able to create captivating experiences that transport viewers into enchanting worlds, blending reality and imagination into a craft that continues to inspire awe.
In practice
During a film festival, to emphasize the enchanting experience of cinema.
I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I'm too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things - it's my Italian heritage.
I landed a job with Roger Corman. The job was to write the English dialogue for a Russian science fiction picture. I didn't speak any Russian. He didn't care whether I could understand what they were saying; he wanted me to make up dialogue.
An essential element of any art is risk. If you don't take a risk then how are you going to make something really beautiful, that hasn't been seen before?
I live near San Francisco in the most beautiful spot on earth and enjoy myself in many ways. Yes, I love to work, which for now is to think and read and write, so it's all a dream come true.
The essence of cinema is editing.
It is a little disappointing to see that your legs are not as strong. But I like the idea of growing old, and the thought of approaching death is not particularly daunting to me.
I try to represent specific experiences of specific characters, and that's all I want to try to do. I don't ever try to think about representing a culture, because its impossible, and someone will fault you. And it just doesn't interest me.
Every beauty which is seen here by persons of perception resembles more than anything else that celestial source from which we all are come.
Who is Katharine Hepburn? It took me a long time to create that creature.
Truly great actors carry their characters in silence with them. They communicate without words the relationships that predate the movie.
I like smart movies about smart people, and enjoy it when most of the facts are on the table and we can contemplate them together.
We sit down before the picture in order to have something done to us, not that we may do things with it. The first demand any work of art makes upon us is surrender. Look. Listen. Receive. Get yourself out of the way (there is no good asking first whether the work before you deserves such a surrender, for until you have surrendered you cannot possibly find out.
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