I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
When I went to college - when I read Shakespeare or Dickens or Scott - I just felt that, as a citizen of England, a British citizen, this was as much my heritage as any schoolboy's. That is one of the things the Empire taught, that apart from citizenship, the synonymous inheritance of the citizenship was the literature.
Interpretation
What this quote means
The quote emphasizes the shared cultural heritage that literature provides to citizens, transcending social class.
Derek Walcott reflects on the profound connection between literature and national identity, asserting that literary figures like Shakespeare, Dickens, and Scott belong to all British citizens, regardless of their background. He suggests that the British Empire instilled a sense of shared cultural inheritance, where literature serves not only as a form of artistic expression but also as a unifying treasure that defines citizenship and belonging in a society.
Themes
In practice
Example use cases
During a speech about cultural education, one might quote this to reinforce the importance of literature in shaping identities.
More from Derek Walcott
All quotes βCreating a poem is a continual process of re-creating your ignorance, in the sense of not knowing what's coming next.
A long time ago, I thought, as a writer in the Caribbean, 'I don't ever want to have to write 'It was great in Paris.'' Because I don't think, proportionately speaking, that one's experience in a city as opposed to, say, a village in St. Lucia, is superior to the other.
My mother was a schoolteacher and very, very encouraging. She understood what it meant when I said I wanted to be a writer; both me and my brother wrote.
The truest writers are those who see language not as a linguistic process but as a living element.
The poet complains or points out the discontent that lies at the heart of man, the individual man, and how can that be redeemed?
Similar quotes
You have started the book with this bubble over your head that contains a cathedral full of fire - that contains a novel so vast and great and penetrating and bright and dark that it will put all other novels ever written to shame. And then, as you get towards the end, you begin to realise, no, it's just this book.
Whoever utters 'Kafkaesque' has neither fathomed nor intuited nor felt the impress of Kafka's devisings. If there is one imperative that ought to accompany any biographical or critical approach, it is that Kafka is not to be mistaken for the Kafkaesque.
I have said that each aspect of the novel demands a different quality of the reader. Well, the prophetic aspect demands two qualities: humility and the suspension of the sense of humour.
Before I'm a writer, I'm definitely a reader and when I read memoir, I really want it to be true.
The land of literature is a fairy land to those who view it at a distance, but, like all other landscapes, the charm fades on a nearer approach, and the thorns and briars become visible.
I think that an author who speaks about his own books is almost as bad as a mother who talks about her own children.