If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
Jhumpa LahiriRead
When I am experiencing a complex story or novel, the broader planes, and also details, tend to fall away.
Interpretation
Complex narratives can make broader themes and finer details blend into a singular experience, overshadowing individual components.
In this quote, Jhumpa Lahiri reflects on the immersive nature of storytelling, where the intricate layers and detailed aspects of a complex narrative can become overwhelming, leading to a unified but less distinct experience. This highlights the power of literature to transport readers into a different realm, where the finer points may be overshadowed by the emotional and thematic depth of the story itself.
In practice
In a discussion about the nuances of a novel during a book club meeting.
If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
I think each time you start a story or novel or whatever, you are absolutely at the bottom of the ladder all over again. It doesn't matter what you've done before.
The sky was different, without color, taut and unforgiving. But the water was the most unforgiving thing, nearly black at times, cold enough, I knew, to kill me, violent enough to break me apart. The waves were immense, battering rocky beaches without sand. The farther I went, the more desolate it became, more than any place I'd been, but for this very reason the landscape drew me, claimed me as nothing had in a long time.
On the technical side, I hope that my writing is evolving and maturing, ripening, deepening.
I always wanted to grow up in a house full of books, English books, and I wanted the sort of fireplaces that worked, overstuffed chairs, that whole kind of fantasy of a bookish New England life. So the library gave me that; for the hours that I was there, I was surrounded by that atmosphere that I craved in my life.
There was no really good true war book during the entire four years of the war. The only true writing that came through during the war was in poetry. One reason for this is that poets are not arrested as quickly as prose writers.
Some Native American writers enjoy being called Native American writers.
Every word a woman writes changes the story of the world, revises the official version.
They were close to the end of the beginning . . .
In relation to a writer, most readers believe in the Double Standard: they may be unfaithful to him as often as they like, but he must never, never be unfaithful to them.
Most contemporary novels are not really "written." They obtain what reality they have largely from an accurate rendering of the noises that human beings currently make in their daily simple needs of communication; and what part of a novel is not composed of these noises consists of a prose which is no more alive than that of a competent newspaper writer or government official. A prose that is altogether alive demands something of the reader that the ordinary novel-reader is not prepared to give.
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