. . . money . . . is really the difference between men and animals, most of the things men feel, animals feel, and vice versa, but animals do not know about money.
Gertrude SteinRead
The contemporary thing in art and literature is the thing which doesn't make enough difference to the people of that generation so that they can accept it or reject it.
Interpretation
Contemporary art and literature often lack significant impact on society, leading to ambivalence among people.
Gertrude Stein's quote suggests that contemporary works of art and literature fail to resonate deeply with their audience, resulting in a disconnect where individuals are neither compelled to embrace nor dismiss the creations. This reflects a broader commentary on the nature of art's relevance, questioning what it means for art to be impactful and how it should challenge or engage its viewers and readers.
In practice
In a discussion about modern art, one might reference this quote to highlight the challenges artists face in making their work impactful.
. . . money . . . is really the difference between men and animals, most of the things men feel, animals feel, and vice versa, but animals do not know about money.
The creator of the new composition in the arts is an outlaw until he is a classic.
If the communication is perfect, the words have life, and that is all there is to good writing, putting down on the paper words which dance and weep and make love and fight and kiss and perform miracles.
The United States is just now the oldest country in the world, there always is an oldest country and she is it, it is she who is the mother of the twentieth century civilization. She began to feel herself as it just after the Civil War. And so it is a country the right age to have been born in and the wrong age to live in.
I simply contend that the middle-class ideal which demands that people be affectionate, respectable, honest and content, that they avoid excitements and cultivate serenity is the ideal that appeals to me, it is in short the ideal of affectionate family life, of honorable business methods.
It is natural to indulge in the illusions of hope. We are apt to shut our eyes to that siren until she allures us to our death.
Do you know, Considering the market, there are more Poems produced than any other thing? No wonder poets sometimes have to seem So much more businesslike than businessmen. Their wares are so much harder to get rid of.
Beauty is like a train that ceaselessly roars out of the Gare de Lyon and which I know will never leave, which has not left. It consists of jolts and shocks, many of which do not have much importance, but which we know are destined to produce one Shock, which does...The human heart, beautiful as a seismograph...Beauty will be CONVULSIVE or will not be at all.
The mind in creation is as a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness; this power arises from within...could this influence be durable in its original purity and force, it is impossible to predict the greatness of the result; but when composition begins, inspiration is already on the decline; and the most glorious poetry that has been communicated to the world is probably a feeble shadow of the original conceptions of the poet.
In fiction, you know, there are no borders. You can go anywhere.
Better that you should take the chance of trying something that is close to your heart, you think is what you want to write, and if they do not publish it, put it in your drawer. But maybe another day will come and you will find a place to put that.
We tend to think and feel in terms of the art we like; and if the art we like is bad then our thinking and feeling will be bad. And if the thinking and feeling of most of the individuals composing a society is bad, is not that society in danger?
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