Cooking is just a vehicle to express yourself, like painting and acting... The reason why we're cooking is not because we want to put something on the plate. It's so much more complex than that.
Dominique CrennRead
I think cooks that are just interested in molecular gastronomy are cooks that will never be chefs.
Interpretation
True artistry in cooking extends beyond techniques; it requires a deeper passion and connection.
Dominique Crenn's quote emphasizes that while molecular gastronomy, a scientific approach to cooking, can be fascinating, it lacks the essential qualities that define a true chef. She implies that a great cook must have a profound understanding, creativity, and emotional investment in their craft rather than being solely focused on innovative techniques or technology.
In practice
This quote could inspire culinary students to approach their studies with passion, not just technical skill.
Cooking is just a vehicle to express yourself, like painting and acting... The reason why we're cooking is not because we want to put something on the plate. It's so much more complex than that.
Eating is an act of activism for me; it's politics.
My restaurant is an expression of myself - my fantasies. Where I've been, and where I want to be. I think of my cooking as very emotional.
I don't want people to look at my menu and see just the ingredients. I want to take them on a journey.
When I interview people that want to work with us, I often disregard their resume, because a piece of paper, it doesn't tell me really who they are. I'm looking for honesty, vulnerability. I'm looking for strength, I'm looking for weakness. I'm looking also for someone that wants to learn and is excited about learning.
My grandmother was kind, but she knew what she wanted and she wasn't afraid to give a command. When, eventually, I ran my own kitchen, I realized I had a leadership model reaching back into my earliest memories.
There seems a magic in the very name of Christmas.
The stage is not merely the meeting place of all the arts, but is also the return of art to life.
Men can absent themselves from real life for their art more easily. Women are anchored into the quotidian business of getting food on the table, making sure everybody's socks match, the soccer gear is ready. I admire idealists, but they're usually enabled by someone who holds the tether on their balloon, who pays the bills and sweeps up after them.
When you're writing, in theory, everybody is serving you. When you're directing, you're serving everybody - in the guise of acting like everybody's serving you. But you're really serving the materials. You're serving the actors. You're in charge, but it's not free.
Everything was a song. Every conversation, every personal hurt, every observance of people in stress, happiness and love... if you could feel it, I could feel it. And I could write a song about it.
My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected on to a screen, come to life again like flowers in water.
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