Everybody must be managed. Queens must be managed. Kings must be managed, for men want managing almost as much as women, and that's saying a good deal.
Thomas HardyRead
Of course poets have morals and manners of their own, and custom is no argument with them.
Interpretation
Poets have their own distinct values and perspectives, disregarding societal norms.
Thomas Hardy suggests that poets operate under their own set of ethics and etiquette, which sets them apart from conventional societal expectations. They are not bound by societal customs and norms, and instead express their unique moral viewpoints, highlighting the freedom and individualism inherent in artistic expression.
In practice
In a discussion about the role of creativity in society, one might say, 'As Thomas Hardy noted, poets have morals and manners of their own, and custom is no argument with them.'
Everybody must be managed. Queens must be managed. Kings must be managed, for men want managing almost as much as women, and that's saying a good deal.
Because what's the use of learning that I am one of a long row only - finding out that there is set down in some old book somebody just like me, and to know that I shall only act her part; making me sad, that's all. The best is not to remember your nature and your past doings have been just like thousands' and thousands', and that your coming life and doings'll be like thousands' and thousands'.
But nothing is more insidious than the evolution of wishes from mere fancies, and of wants from mere wishes.
I wish I had never been born--there or anywhere else.
Her affection for him was now the breath and life of Tess's being; it enveloped her as a photosphere, irradiated her into forgetfulness of her past sorrows, keeping back the gloomy spectres that would persist in their attempts to touch herβdoubt, fear, moodiness, care, shame. She knew that they were waiting like wolves just outside the circumscribing light, but she had long spells of power to keep them in hungry subjection there.
The trees have inquisitive eyes, haven't they? -that is, seem as if they had. And the river says,-'Why do ye trouble me with your looks?' And you seem to see numbers of to-morrows just all in a line, the first of them the biggest and clearest, the others getting smaller and smaller as they stand further away; but they all seem very fierce and cruel and as if they said, 'I'm coming! Beware of me! Beware of me!
I think that an industrial process is not like a rubber stamp. Everything has to be put together and, as such, should have its own expression.
If, when you wake up in the morning, you can think of nothing but writing . . . then you are a writer.
Keep it in tune with the times, but don't write with the specific purpose of trying to create a hit. If you're doing it strictly to make money, you're crazy. There are easier ways to make money.
It's a wonderful thing to be able to create your own world whenever you want to.
The most important tribute any human being can pay to a poem or a piece of prose he or she really loves is to learn it by heart. Not by brain, by heart; the expression is vital.
I think that still, for the most part, even in 2010, the vast majority of museum shows and gallery shows and gallerists are pretty much dominated by men. So having a sense of what women are up to, for me, frankly, is very, very important.
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