My health may be better preserved if I exert myself less, but in the end doesn't each person give his life for his calling?
Clara SchumannRead
I once believed that I possessed creative talent, but I have given up this idea; a woman must not desire to compose β there has never yet been one able to do it. Should I expect to be the one?
Interpretation
The quote reflects a struggle with self-belief in artistic talent, particularly in the context of societal gender norms.
Clara Schumann's quote reveals her internal conflict regarding her artistic aspirations and the societal limitations placed on women in the 19th century. She questions whether she, as a woman, can ever achieve the creative greatness expected in the realm of composition, highlighting the discouragement faced by women artists of her time. This sentiment echoes the broader theme of the struggle against gender biases that restrict individuality and talent.
In practice
This quote can be used during a discussion on the challenges female artists face.
My health may be better preserved if I exert myself less, but in the end doesn't each person give his life for his calling?
There is nothing greater than the joy of composing something oneself and then listening to it.
Composing gives me great pleasure... there is nothing that surpasses the joy of creation, if only because through it one wins hours of self-forgetfulness, when one lives in a world of sound.
I cannot give a single concert at which I do not play one piece after the other in an agony of terror because my memory threatens to fail me. This fear torments me for days beforehand.
Wherefore the mere practical architect is not able to assign sufficient reasons for the forms he adopts; and the theoretic architect also fails, grasping the shadow instead of the substance.
The very idea of a bird is a symbol and a suggestion to the poet. A bird seems to be at the top of the scale, so vehement and intense is his life, large-brained, large-lunged, hot, ecstatic, his frame charged with buoyancy and his heart with song.
I thought it would be fun to take the kind of character that nobody would like, none of our readers would like, and shove him down their throats and make them like him.
The violinist is that peculiarly human phenomenon distilled to a rare potency - half tiger, half poet.
When I moved to New York City in 1965, I wanted to be in theater. I was following my Ethel Barrymore dream. But I was too young to be Ethel.
Art is the daughter of freedom.
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