I once believed that I possessed creative talent, but I have given up this idea; a woman must not desire to compose — there has never yet been one able to do it. Should I expect to be the one?
Clara SchumannRead
Composing gives me great pleasure... there is nothing that surpasses the joy of creation, if only because through it one wins hours of self-forgetfulness, when one lives in a world of sound.
Interpretation
The joy of creation in music allows one to escape from reality and experience deep fulfillment.
Clara Schumann expresses the profound pleasure and fulfillment that comes from composing music. She highlights the idea that through the act of creation, one can experience a transcendent state of self-forgetfulness, immersing oneself in the beauty of sound and artistry, which provides a unique joy that surpasses other experiences.
In practice
This quote could be shared at a music composition workshop to inspire budding composers.
I once believed that I possessed creative talent, but I have given up this idea; a woman must not desire to compose — there has never yet been one able to do it. Should I expect to be the one?
My health may be better preserved if I exert myself less, but in the end doesn't each person give his life for his calling?
There is nothing greater than the joy of composing something oneself and then listening to it.
I cannot give a single concert at which I do not play one piece after the other in an agony of terror because my memory threatens to fail me. This fear torments me for days beforehand.
What interests me is the opportunity for all of us to become something different from what we are, by constructing spaces that contribute something to the experience of who we are.
At the dressing table, every woman has a chance to be an artist, and art, as Aristotle said, 'completes what nature left unfinished.'
When I write, I make my memories tangible, and in this way I can get rid of them.
His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sound of trains, suddenly sprouting a humming forest of hair-fine glass spines.
I make the most money, I think, in Russia and Paris, for the people of those countries are so willing to be amused, so eager to see something new and out of the ordinary.
I've seen my own blood and broken a few bones. I've been hit, which isn't an entirely bad thing, as at least you have a glimpse of the suffering endured by the people you are photographing. And in a sense, crumbling empires and war have been with me all my life.
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