At the time I begin writing a novel, the last thing I want to do is follow a plot outline. To know too much at the start takes the pleasure out of discovering what the book is about.
Elmore LeonardRead
If you take a few days to write an outline, you're just making up scenes that you think will work, that you think will be interesting. But as you write it, other ideas occur - better ideas that have to do with what you're writing.
Interpretation
Writing an outline may help, but the best ideas often come during the writing process itself.
Elmore Leonard emphasizes the importance of spontaneity and creativity in writing. While outlining can provide structure, the act of writing can lead to unexpected and superior ideas that enhance the narrative, suggesting that writers should remain open to evolving their stories as they create.
In practice
In a writer's workshop discussing the creative process.
At the time I begin writing a novel, the last thing I want to do is follow a plot outline. To know too much at the start takes the pleasure out of discovering what the book is about.
A friend of mine who is in the publishing business knew I was writing a book, and he said, 'Have you said anything yet about the good guy? Because I know you spend so much time with the bad guys.' Because they're fun. So then you have to make the good guy fun, in order to compete. That's the challenge.
Really, when I write a book I'm the only one I have to please. That's the beauty of writing a book instead of a screenplay.
Sometimes female characters start out as the wife or girlfriend, but then I realize, 'No, she's the book,' and she becomes a main character. I surrender the book to her.
I really - I don't take my work that seriously, and I think that's what keeps me loose. If I try to write, if I catch myself trying to write, I'll fall right on my face. I'll see it. If I see in the prose that I'm - 'Boy, look at me writing,' I rewrite it. I rewrite it because I don't, because I think it's distracting.
There are some people who have been reading me for years, and they keep saying kind things about the writing. That's what you're writing for, to get people to respond to it.
There are thousands of ragas, and they are all connected with different times of the day, like sunrise or night or sunset. It is all based on 72 of what we call 'mela' or scales. And we have principally nine moods, ranging from peacefulness to praying, or the feeling of emptiness you get by sitting by the ocean.
The humblest painter is a true scholar; and the best of scholars the scholar of nature.
There are more valid facts and details in works of art than there are in history books.
In all the creative work that I have done, what has come first is a problem, a puzzle involving discomfort.
In Britten or Berg, there's a tension between the sweet and the sour, between the familiar and the unfamiliar, the tonal and the atonal, the happy and the sad. That, to me, is what all western art is about - that tension. It's why we want to say anything at all.
Mike Forsberg's images give us bright openings onto a world. . . . Here on the Great Plains both people and trees and everything else are in some way shaped by wind and weather. This book, too, has been shaped by where it comes from, and that's just a part of its beauty.
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