I would love to see more women directors because they represent half of the population and gave birth to the whole world. Without them the rest [of the world] are not getting to know the whole story.
Jane CampionRead
For me, being a director is about watching, not about telling people what to do. Or maybe it's like being a mirror; if they didn't have me to look at, they wouldn't be able to put the make-up on.
Interpretation
A director's role is to observe and reflect the talents of actors rather than dictate their actions.
In this quote, Jane Campion expresses her belief that a director's influence lies in the ability to observe and reflect the performances of actors, rather than merely instructing them. She compares her role to that of a mirror, suggesting that without her presence to reflect their abilities, actors might struggle to present their best selves. This highlights the collaborative nature of filmmaking, where guidance and support enhance creativity.
In practice
In a film class, to illustrate the importance of a director's observational role.
I would love to see more women directors because they represent half of the population and gave birth to the whole world. Without them the rest [of the world] are not getting to know the whole story.
Performers are so vulnerable. They're frightened of humiliation, sure their work will be crap. I try to make an environment where it's warm, where it's OK to fail - a kind of home, I suppose.
It's a luxury to be able to tell a long form story. I love novels, and I love to have a long relationship with characters.
To deny women directors, as I suspect is happening in the States, is to deny the feminine vision.
What I have learned from my work up to now, is to try to be open, but also protect myself by not letting the good and the evil get too much importance.
One of the things we learn in movies directed by men is what the 'fantasy woman' is. What we learn in movies directed by women is what real women are about. I don't think that men see things wrong and women right, just that we do see things differently.
You can play a shoestring if you're sincere.
The big cop-out would be to accept popularity rather than opting to try to create potent work. It's so easy to do the popular thing, the expected thing, and that's where you start to cheat yourself - and your fans, in the end - because there's an inherent dishonesty in pandering and dishing up what everyone's expecting.
Photographers deal in things which are continuously vanishing.
I'm tempted to say, 'Writing treatments is like designing a film by hiring six million monkeys to tear out pages of an encyclopedia, then you put the pages through a paper-shredder, randomly grab whatever intact lines are left, sing them in Italian to a Spanish deaf-mute, and then make story decisions with the guy via conference call.' But no... compared to writing treatments, that makes sense, too.
He felt as if he were paying for the privilege of music with portions of his life and body. But it was well worth it.
The contemporary American novelist benefits in a way from being ignored. It makes you angrier and makes you want to go into all of those places where you shouldn't.
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