When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
Ken BurnsRead
In most films music is brought in at the end, after the picture is more or less locked, to amplify the emotions the filmmaker wants you to feel.
Interpretation
Music in films enhances the emotional impact of the storytelling.
Ken Burns highlights the crucial role that music plays in film-making, noting that it is often introduced at the final stages to elevate the emotional resonance of a scene. This underscores the idea that music is not just an accompaniment, but a powerful tool that significantly shapes the audience's experience and emotional response to the visuals.
In practice
In a discussion on film production, one might say, 'As Ken Burns noted, music is essential for amplifying the emotions in a film.'
When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being.
It is the great arrogance of the present to forget the intelligence of the past
Jazz is a very accurate, curiously accurate accompaniment to 20th century America.
You need, as a historian, essential triangulation from your subject and the only way you get that triangulation is through time.
My Advice to Young Filmmakers is This: Don't Follow Trends. Start Them!
My notion of a great novel is something like a five-hundred-page shaggy-dog story, with only the punch line omitted.
My subject is War, and the pity of War. The Poetry is in the pity.
The main thing that I learned from editing is that most people, when they're making a film, they start too early into the story. They will try to set up the characters, they will try to establish things before the plot actually starts.
If I read a book and it makes my whole body so cold no fire can warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only ways I know it. Is there any other way?
When we get to a point when trans folks are included in the creative process, the narrative will be much more authentic. Trans actors playing trans roles is a key part of that. But some of the trans talent is not even making it into the audition room, let's be honest.
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