When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
Ken BurnsRead
Jazz is a very accurate, curiously accurate accompaniment to 20th century America.
Interpretation
Jazz music reflects the complexities and nuances of American life in the 20th century.
Ken Burns highlights the intrinsic connection between jazz music and the cultural landscape of 20th century America. Jazz serves as a mirror, capturing the vibrancy, struggles, and social changes of the era, making it not just a musical genre but a significant part of American history that embodies the artistic expression of its time.
In practice
An introduction to a documentary about American music history.
When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being.
It is the great arrogance of the present to forget the intelligence of the past
In most films music is brought in at the end, after the picture is more or less locked, to amplify the emotions the filmmaker wants you to feel.
You need, as a historian, essential triangulation from your subject and the only way you get that triangulation is through time.
When she started to play, Steinway came down personally and rubbed his name off the piano.
I'm happy that people think of me as the greatest tap-dancer that ever lived. But it's just a rumor. Because the greatest dancer that ever lived knows everything, and I don't. I'm still learning. I still have a lot of work to do.
When I'm writing a woman character, I don't think, 'What would a woman do?' I just think, 'What would this character do in this situation?'
Playwrights have texts, composers have scores, painters and sculptors have the residue of those activities, and dance is traditionally an ephemeral, effervescent, here-today-gone-tomorrow kind of thing.
When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.
To write simply is as difficult as to be good.
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