If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there.
Anton ChekhovRead
Don't tell me the moon is shining; show me the glint of light on broken glass.
Interpretation
The quote emphasizes the importance of showing rather than just telling, highlighting the beauty in details and subtleties.
Anton Chekhov's quote reminds us that the true essence of experiences is often found in the small details and evocative imagery rather than mere statements. By urging us to 'show' rather than 'tell,' Chekhov encourages a deeper appreciation for how we express observations and emotions, suggesting that the richness of life is revealed through our perceptions and interpretations.
In practice
This quote could be used in a photography workshop to illustrate the importance of capturing emotions through details.
If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there.
There are still many more days of failure ahead, whole seasons of failure, things will go terribly wrong, you will have huge disappointments , but you have to prepare for that, you have to expect it and be resolute and follow your own path.
Any idiot can face a crisis - it's day to day living that wears you out.
To a chemist, nothing on earth is unclean. A writer must be as objective as a chemist; he must abandon the subjective line; he must know that dungheaps play a very respectable part in a landscape, and that evil passions are as inherent in life as good ones.
When you want to touch the reader's heart, try to be colder. It gives their grief as it were, a background, against which it stands out in greater relief.
Why are we worn out? Why do we, who start out so passionate, brave, noble, believing, become totally bankrupt by the age of thirty or thirty-five? Why is it that one is extinguished by consumption, another puts a bullet in his head, a third seeks oblivion in vodka, cards, a fourth, in order to stifle fear and anguish, cynically tramples underfoot the portrait of his pure, beautiful youth? Why is it that, once fallen, we do not try to rise, and, having lost one thing, we do not seek another? Why?
Without atmosphere a painting is nothing.
In song and dance, man forgets how to walk and speak and is on the way into flying into the air, dancing... his very gestures express enchantment.
And as a writer now, I want to save Linda's life. Not her body--her life.
So, for instance, if you came to me, I'd ask, 'Do you want to write? Do you want to improvise? Why do you want to play this instrument? What do you want to do?'
The real payoff is the writing itself, that a day when you have gotten your work done is a good day, that total dedication is the point.
Sometimes it's difficult directing yourself on film because you can't quite separate yourself from the subject.
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