The premonition of madness is complicated by the fear of lucidity in madness, the fear of the moments of return and reunion... One would welcome chaos if one were not afraid of lights in it.
Emile M. CioranRead
It is enough for me to hear someone talk sincerely about ideals, about the future, about philosophy, to hear him say “we" with a certain inflection of assurance, to hear him invoke "others" and regard himself as their interpreter - for me to consider him my enemy.
Interpretation
The quote expresses skepticism towards those who claim to speak for others while discussing high ideals or philosophy.
Cioran's quote reflects a critical perspective on individuals who assume the role of interpreters for others in matters of philosophy or the future. He suggests that when someone uses inclusive language about ideals, coupled with a tone of confidence, it often masks insincerity, leading him to view such individuals as adversaries rather than allies.
In practice
In a debate on social justice, one might reference this quote to challenge the sincerity of advocates acting as representatives of others.
The premonition of madness is complicated by the fear of lucidity in madness, the fear of the moments of return and reunion... One would welcome chaos if one were not afraid of lights in it.
We are afraid of the enormity of the possible.
There was a time when time did not yet exist. … The rejection of birth is nothing but the nostalgia for this time before time.
A marvel that has nothing to offer, democracy is at once a nation's paradise and its tomb.
Paradise was unendurable, otherwise the first man would have adapted to it; this world is no less so, since here we regret paradise or anticipate another one. What to do? Where to go? Do nothing and go nowhere, easy enough.
It is not worth the bother of killing yourself, since you always kill yourself too late.
There is an increasing awareness of the interrelatedness of things. We are becoming less prone to accept an immediate solution without questioning its larger implications.
What the warrior renounces is anything in his experience that is a barrier between himself and others. In other words, renunciation is making yourself more available, more gentle and open to others.
The primordial image, or archetype, is a figure--be it a daemon, a human being, or a process--that constantly recurs in the course of history and appears wherever creative fantasy is freely expressed. Essentially, therefore, it is a mythological figure. . . . In each of these images there is a little piece of human psychology and human fate, a remnant of the joys and sorrows that have been repeated countless times in our ancestral history. . . .
Other people's lives come at us without a backstory most of the time. The present is like that.
It is only through contact and comparison that the relative value or worthlessness of the various cultural elements can be clearly and critically seen and understood.
So, the world happens twice--_x000D_ once what we see it as;_x000D_ second it legends itself_x000D_ deep, the way it is.
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