If our history can challenge the next wave of musicians to keep moving and changing, to keep spiritually hungry and horny, that's what it's all about.
Carlos SantanaRead
I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
Interpretation
Carlos Santana expresses his deep engagement with various music genres, emphasizing authenticity in his art.
In this quote, Carlos Santana emphasizes his extensive experience and genuine connection with multiple genres of music, including jazz, African rhythms, and blues. He asserts that his musical journey is not a mere marketing tactic but a true reflection of his identity and passion for music, highlighting the importance of authenticity and the depth of artistic expression.
In practice
In a music class discussing the importance of genre diversity.
If our history can challenge the next wave of musicians to keep moving and changing, to keep spiritually hungry and horny, that's what it's all about.
My dad's a beautiful man, but like a lot of Mexican men, or men in general, a lot of men have a problem with the balance of masculinity and femininity - intuition and compassion and tenderness - and get overboard with the macho thing. It took him a while to become more, I would say, conscious, evolved.
I grew up in the sixties watching B.B. King and Tito Puente and Miles Davis and Coltrane, everybody, Marvin Gaye, Jimi. And at the same time, with my left eye I was watching Dolores Huerta, Cesar Chavez, Martin Luther King, Malcolm X, Mother Teresa.
First of all, the music that people call Latin or Spanish is really African. So Black people need to get the credit for that.
You can take things that Jimi Hendrix took, from Curtis Mayfield or from Buddy Guy for example, because we are all children of everything, even Picasso. But if you want to stand out, you have to learn to crystallize your existence and create your own fingerprints.
Ever since I was a child I've always been very attracted to melodies. Whether I hear Jeff Beck, a choir, an ocean or the wind, there's always a melody in there.
Young people have decided they like to listen to music in a certain way, through ear buds, and that's fine with me as long as it doesn't bother them that they're not hearing 90 percent of the music that way.
I always said if a man would have done half the records that I've done, we would know about it. But we don't know all the records I've done for other artists.
If you come from Africa with your economic poverty and your cultural riches, and you meet someone like Peter Gabriel or a person from a big record company, and they tell you that what you are doing is marvelous, that makes you feel powerful.
I think one of the great things about being a musician is that you never stop learning.
I call myself a blues singer, but you ain't never heard me call myself a blues guitar man.
Ninety-eight percent of the singing I did was private singing - it was in the shower, at the dishwasher, driving my car, singing with the radio, whatever. I can't do any of that now. I wish I could. I don't miss performing, particularly, but I miss singing.
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