Horror, of all the genres, is the only one that can provoke an involuntary visceral reaction.
Stephen Graham JonesRead
Every time I lock my people in a spacecraft or land them on an asteroid, the blood wells up again, and I'm writing horror. Horror's my default setting. It's also where I prefer to write.
Interpretation
The quote reflects the author's affinity for writing horror, indicating that tension and fear are integral to their creative process.
Stephen Graham Jones reveals his instinctive connection to horror as a genre, describing how the act of locking his characters in dangerous situations invokes a visceral emotional response. For him, horror is not just a theme but the foundation of his writing style, suggesting that fear and suspense are core elements that drive his narrative and imagination.
In practice
During a writing workshop, I quoted Stephen Graham Jones to emphasize the power of fear in storytelling.
Horror, of all the genres, is the only one that can provoke an involuntary visceral reaction.
We watch a romantic comedy because we want to cry, say, or an action movie so we can participate in heroics. Horror's different. It can hit you with a moment of revulsion so hard you might want to erase the last five minutes of your life, please.
I figure anytime you put an adjective before 'writer,' it's a way of dismissing the writer.
The way humor's usually used in horror, it's as a pressure-release valve; without it, the drama would escalate out of all control almost immediately.
Most zombie stories, the problems they solve are not the actual zombies. The problems they solve are the human interactions.
Making people laugh is so much more difficult than making them sad. Too much fiction defaults to the somber, the tragic. This is because sad endings are easy in comparison - happy endings aren't at all simple to earn, especially when writing to an audience jaded by them.
I wanted to be in a punk band before I had even heard any punk music.
So when I realised I could sing for a living - do what I loved and be paid for it - I thought, 'This is unbelievable. Unbelievable!' And that feeling has never left me.
Make it simple. Make it memorable. Make it inviting to look at. Make it fun to read.
Some things you know about, you know what the ingredients are - maybe not all of them. But it's up to you to put in the amount. It's up to the director to nag you until you get it right.
I may play the same program from one recital to the next, but I will play it differently, and because it is always different, it is always new.
The small wad of burning paper drew down to a wisp of flame and then died out leaving a faint pattern for just a moment in the incandescence like the shape of a flower, a molten rose. Then all was dark again.
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