All experiment is made on a basis of tradition; all tradition is the crystallization of experiment.
Louis MacneiceRead
Everyone is not able, or inclined, to write poetry in the narrower sense any more than everyone is qualified to take part in a walking race. But just as all of us can and do walk, so all of us can and do use language poetically.
Interpretation
Not everyone can write traditional poetry, but everyone has the ability to express themselves artistically through language.
This quote by Louis Macneice highlights the idea that while not everyone may possess the skills or inclination to write conventional poetry, every individual has the innate ability to use language in a creative and expressive manner. Just as walking is a universal activity that everyone participates in, so too is the use of language, which can be infused with poetic elements by anyone willing to engage with it artistically.
In practice
In a creative writing workshop, to encourage participants to explore their voice, one might use this quote.
All experiment is made on a basis of tradition; all tradition is the crystallization of experiment.
The rules or 'laws' of poetry are only tentative devices, an approximate scheme. There is no Sinaitic recipe for poetry, for the individual poem is the norm.
I am not yet born; O fill me with strength against those who would freeze my humanity.
I am not yet born; Forgive me For the sins that in me the world shall commit, my words When they speak me, my thoughts when they think me, My treason engendered by traitors beyound me, My life when they murder by means of my hands, my death when they live me.
All that I would like to be is human, having a share_x000D_ in a civilized, articulate and well-adjusted_x000D_ community where the mind is given its due_x000D_ but the body is not distrusted
I think an artist, in my definition of that word, would not be someone who takes sides with the emperor against his powerless subjects. That's different from prescribing a way in which a writer should write.
Know what your characters want, know what they need most, know what they fear most, and don't be fearful of facing it, no matter how unpleasant it may be.
I like things that don't sound particularly processed or mechanical or made by machines. I like music that contains human elements, with all their flaws. There's air in it, and you can hear a room of a bunch of guys playing. Those are the magic parts.
But you listen to Coltrane and that's something human, something that's about elevation. It's like making love to a woman. It's about something of value, it's not just loud. It doesn't have that violent connotation to it. I wanted to be a jazz musician so bad, but I really couldn't. There was no way I could figure out to learn how to play.
To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.
The sculptor represents the transition from one pose to another he indicates how insensibly the first glides into the second. In his work we still see a part of what was and we discover a part of what is to be.
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