Athens, the eye of Greece, mother of arts And eloquence.
Interpretation
This quote captures Athens as a cultural and intellectual beacon of creativity and expression.
John Milton praises Athens for its contributions to art and eloquence, recognizing it as a central hub of creativity and intellectual advancement. The phrase emphasizes the city's historical role in shaping artistic and rhetorical developments, highlighting its enduring influence on Western civilization.
In practice
This quote can be used in a speech about the significance of art in education.
They, looking back, all the eastern side beheld Of Paradise, so late their happy seat, Waved over by that flaming brand, the gate With dreadful faces thronged and fiery arms: Some natural tears they dropped, but wiped them soon; The world was all before them, where to choose Their place of rest, and Providence their guide; They, hand in hand, with wandering steps and slow, Through Eden took their solitary way.
The stars, that nature hung in heaven, and filled their lamps with everlasting oil, give due light to the misled and lonely traveller.
Ev'n them who kept thy truth so pure of old, When all our fathers worshipp'd stocks and stones.
Abashed the devil stood and felt how awful goodness is and saw Virtue in her shape how lovely: and pined his loss
The end of all learning is to know God, and out of that knowledge to love and imitate Him.
Apt words have power to suage the tumors of a troubled mind.
Photography is an investigation of both the outer and the inner worlds. The first experiences with the camera involve looking at the world beyond the lens, trusting the instrument will 'capture' something 'seen.' The terms shoot and take are not accidental; they represent an attitude of conquest and appropriation. Only when the photographer grows into perception and creative impulse does the term make define a condition of empathy between the external and the internal events.
Being an artist is this kind of occupation in which you have to make people care about your obsession.
You want the story to be about something, have some deeper meaning, but there is also an emotional, almost instinctual, element, which is, does this story seize some part of you and compel you to get to the bottom of it?
Every animator is really an actor performing in slow motion, living the character a drawing at a time.
You prep, you prep, you prep. And on the day that you film, you let all of that go. I try to achieve emptiness as much as possible - the Zen thing - to let the deal come out of that nothing.
This is the beauty of fiction. We may not like these characters, but we inhabit them.
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