One of the great things about books is you can afford to do anything.
George R. R. MartinRead
Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.
Interpretation
Fiction may involve imaginary scenarios, but it must convey a deeper truth.
In this quote, George R. R. Martin highlights the nature of fiction as a craft that involves creating narratives about non-existent characters and events. Despite being based on fabrications, successful fiction should resonate with a core truth about human experience, emotions, or society, allowing readers to connect with the deeper meanings behind the stories.
In practice
This quote can be used in a conversation about the role of fiction in literature classes.
One of the great things about books is you can afford to do anything.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
There is only one god and his name is Death. And there is only one thing we say to Death: “Not today.
I did not do it. Yet now I wish I had.’ He turned to face the hall, that sea of pale faces. ‘I wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song.
I couldn't have written things like 'Low' and 'Heroes,' those particular albums, if it hadn't have been for Berlin and the kind of atmosphere I felt there.
Detroit, my 'great' subject, made me the person I am, consequently the writer I am - for better or worse.
Sudden Light I have been here before, But when or how I cannot tell: I know the grass beyond the door, The sweet keen smell, The sighing sound, the light around the shore.
When a person listens to a good song, and they can look out at the world and their lives and see the dark and the light, the negative and the positive, all the different elements, all come together in one holistic poem, that is a very healing and very reductive thing, and that's what my music is about.
The poet is never inspired, because he is the master of that which appears to others as inspiration. He does not wait for inspiration to fall out of the heavens like roasted ortolans. He knows how to hunt...He is never inspired because he is unceasingly inspired, because the powers of poetry are always at his disposition, subjected to his will, submissive to his own activity.
Subscribe for the occasional hand-picked quote. No noise.