I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I'm too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things - it's my Italian heritage.
Francis Ford CoppolaRead
My film is not a movie; it's not about Vietnam. It is Vietnam.
Interpretation
The quote emphasizes that the film transcends mere storytelling and embodies the essence of Vietnam itself.
Francis Ford Coppola's assertion highlights the profound relationship between his film and the reality of Vietnam. He suggests that the film does not merely depict events or narratives about Vietnam, but rather captures and represents the entire experience, emotions, and truths of the Vietnam War, allowing the audience to feel as if they are part of that reality rather than just observers of a fictional story.
In practice
In a film discussion panel to illustrate how cinema can reflect real-life experiences.
I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I'm too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things - it's my Italian heritage.
I landed a job with Roger Corman. The job was to write the English dialogue for a Russian science fiction picture. I didn't speak any Russian. He didn't care whether I could understand what they were saying; he wanted me to make up dialogue.
An essential element of any art is risk. If you don't take a risk then how are you going to make something really beautiful, that hasn't been seen before?
I live near San Francisco in the most beautiful spot on earth and enjoy myself in many ways. Yes, I love to work, which for now is to think and read and write, so it's all a dream come true.
The essence of cinema is editing.
It is a little disappointing to see that your legs are not as strong. But I like the idea of growing old, and the thought of approaching death is not particularly daunting to me.
Every magic trick consists of three parts, or acts. The first part is called the Pledge. The magician shows you something ordinary. The second act is called the Turn. The magician takes the ordinary something and makes it into something extraordinary. But you wouldn't clap yet, because making something disappear isn't enough. You have to bring it back.
In our film profession you may have Gable's looks, Tracy's art, Marlene's legs or Liz's violet eyes, but they don't mean a thing without that swinging thing called courage.
The more the technocrats programme it down to the smallest detail, the more the powerful manipulate it, football continues to be the art of the unforeseeable. When you least expect it, the impossible occurs: the dwarf teaches the giant a lesson, and a scraggy, bow-legged black man makes an athlete sculpted in Greece look ridiculous.
To be a poet in a destitute time means: to attend, singing, to the trace of the fugitive gods. This is why the poet in the time of the world's night utters the holy.
Like books and black lives, albums still matter.
It is part of the poet's work to show each man what he sees but does not know he sees.
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