We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
Brian EnoRead
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
Interpretation
The quote reflects on the experimental nature of ambient music and the evolution of music creation with technology.
Brian Eno discusses his early experiences in creating ambient music through the use of synthesizers that produced random pulses. He emphasizes how this process led to music that is ever-evolving and emphasizes the significant impact that computers have had on the ability to fully realize and present such compositions.
In practice
In a presentation about the evolution of music technology, I might quote Eno to illustrate how randomization can lead to creativity.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
I think that technology is always invented for historical reasons, to solve a historical problem. But they very soon reveal themselves to be capable of doing things that aren't historical that nobody had ever thought of doing before.
People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
Ambient music must be as ignorable as it is interesting.
The big message of gospel is that you don't have to keep fighting the universe; you can stop, and the universe is quite good to you. There is a loss of ego.
A music serves truth up to you in a really interesting way that allows you to luxuriate in its beauty and, at the same time, to hopefully see yourself in its fragility.
A theatre, a literature, an artistic expression that does not speak for its own time has no relevance.
Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways.
My only conclusion about structure is that nothing works if you don't have interesting characters and a good story to tell.
I spent lunchtime in a grave during the filming of 'Bloody Mama.' When you're younger, you feel that's what you need to do to help you stay in character. When you get older, you become more confident and less intense about it - and you can achieve the same effect.
No great artist ever sees things as they really are. If he did, he would cease to be an artist.
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