One of the great things about books is you can afford to do anything.
George R. R. MartinRead
And for the first time in hundreds of years, the night came alive with the music of dragons.
Interpretation
This quote captures the magic and wonder of imagination, evoking the idea of dragons coming to life in a vibrant, musical night.
George R. R. Martin's quote emphasizes the extraordinary ability of storytelling and imagination to breathe life into the fantastical, transforming ordinary experiences into a vivid tapestry of wonder. The music of dragons symbolizes the awakening of creativity and the enchanting worlds that can emerge when we engage with our imaginations, encouraging both the writer and the reader to explore the boundless possibilities of narrative.
In practice
This quote can be used to inspire creativity during a brainstorming session.
One of the great things about books is you can afford to do anything.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
There is only one god and his name is Death. And there is only one thing we say to Death: βNot today.
I did not do it. Yet now I wish I had.β He turned to face the hall, that sea of pale faces. βI wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
Any artist should be grateful for a naive grace which puts him beyond the need to reason elaborately.
The more one studies the harmony of music, and then studies human nature, how people agree and how they disagree, how there is attraction and repulsion, the more one will see that it is all music.
What is called music today is all too often only a disguise for the monologue of power. However, and this is the supreme irony of it all, never before have musicians tried so hard to communicate with their audience, and never before has that communication been so deceiving. Music now seems hardly more than a somewhat clumsy excuse for the self-glorification of musicians and the growth of a new industrial sector.
I've often been accused of, 'Oh the movies looked good but there's no story,' but I disagree with that in theory, and '9' is a perfect example for me because the feel, the texture, and the look of that world, and those characters, is the story. That's a major component of why you feel the way you do when you're watching it.
Tango is about feeling and sensitivity, otherwise you are just doing gymnastics. You can do all the steps but it has to have the feeling and sensitivity of authentic tango.
A work of art is a world in itself reflecting senses and emotions of the artist's world.
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