Don't ever write just for a trend or fad, because it's a moving target, and by the time you get your work out there, the trend or fad is gone. Dig deep; don't be afraid to write fiercely. Expose your heart.
Jane YolenRead
Folklore is the perfect second skin. From under its hide, we can see all the shimmering, shadowy uncertainties of the world.
Interpretation
Folklore helps us understand the complexities of the world by providing us with a protective yet revealing narrative framework.
In this quote, Jane Yolen suggests that folklore serves as a metaphorical 'second skin' that not only protects us but also allows us to perceive the intricate and often ambiguous aspects of life. Through stories and traditions, we gain insights into human experiences and the world's uncertainties, illustrating how art and narratives shape our understanding of reality.
In practice
This quote is perfect for a speech about the importance of preserving cultural heritage.
Don't ever write just for a trend or fad, because it's a moving target, and by the time you get your work out there, the trend or fad is gone. Dig deep; don't be afraid to write fiercely. Expose your heart.
I don't care whether the story is real or fantastical. I tell the story that needs to be told.
What makes a good book? Scholars and critics have been debating that question for decades. I like books that touch my head and my heart at the same time.
Just write. If you have to make a choice, if you say, 'Oh well, I'm going to put the writing away until my children are grown,' then you don't really want to be a writer. If you want to be a writer, you do your writing... If you don't do it, you probably don't want to be a writer, you just want to have written and be famous—which is very different.
I believe that culture begins in the cradle . . .To do without tales and stories and books is to lose humanity's past, is to have no star map for our future.
Childrens books change lives. Stories pour into the hearts of children and help make them what they become.
As a playwright, you are a torturer of actors and of the audience as well. You inflict things on people.
Painting is another form of thinking.
I put things down on sheets of paper and stuff them in my pockets. When I have enough, I have a book.
Acting is mostly about listening. If you just focus in on what the other person is saying, acting takes care of itself to quite a large extent.
The world is a king, and like a king, desires flattery in return for favor; but true art is selfish and perverse — it will not submit to the mold of flattery.
The painter makes real to others his innermost feelings about all that he cares for. A secret becomes known to everyone who views the picture through the intensity with which it is felt.
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