The one ironclad rule is that I have to try. I have to walk into my writing room and pick up my pen every weekday morning
Anne TylerRead
It seems to me that good novels celebrate the mystery in ordinary life, and summing it all up in psychological terms strips the mystery away
Interpretation
Good novels highlight the wonder of everyday experiences, while overly analytical interpretations can diminish that sense of mystery.
Anne Tyler suggests that the beauty and intrigue found in everyday life are essential components of good literature. By focusing solely on psychological analysis, one may overlook the deeper, more mysterious qualities that make ordinary experiences profound and meaningful.
In practice
This quote could be included during a book club discussion about the themes in contemporary literature.
The one ironclad rule is that I have to try. I have to walk into my writing room and pick up my pen every weekday morning
I don't know what takes more courage: surviving a lifelong endurance test because you once made a promise or breaking free, disrupting all your world.
I just want to be told a story, and I want to believe I'm living that story, and I don't give a thought to influences or method or any other writerly concerns
I do write long, long character notes - family background, history, details of appearance - much more than will ever appear in the novel. I think this is what lifts a book from that early calculated, artificial stage.
It seems to me that since I've had children, I've grown richer and deeper. They may have slowed down my writing for a while, but when I did write, I had more of a self to speak from.
And she thought what a clean, simple life she would have led if it weren't for love.
You are about to begin reading Italo Calvino's new novel, If on a winter's night a traveler.
In memoir, you have to be particularly careful not to alienate the reader by making the material seem too lived-in. It mustn't have too much of the smell of yourself, otherwise the reader will be unable to make it her own.
I think the job of writing and literature is to encourage each one of us to believe that we're living in a story.
Of course, the fact that Dostoevsky can tell a juicy story isn't enough to make him great. If it were, Judith Krantz and John Grisham would be great fiction writers, and by any but the most commercial standards they're not even very good.
THE WRITER can get free of his writing only by using it, that is, by reading oneself. As if the aim of writing were to use what is already written as a launching pad for reading the writing to come. Moreover, what he has written is read in the process, hence constantly modified by his reading. The book is an unbearable totality. I write against a background of facets.
Great, big, serious novels always get awards. If it's a battle between a great, big, serious novel and a funny novel, the funny novel is doomed.
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