The one ironclad rule is that I have to try. I have to walk into my writing room and pick up my pen every weekday morning
Anne TylerRead
It seems to me that good novels celebrate the mystery in ordinary life, and summing it all up in psychological terms strips the mystery away
Interpretation
Good novels highlight the wonder of everyday experiences, while overly analytical interpretations can diminish that sense of mystery.
Anne Tyler suggests that the beauty and intrigue found in everyday life are essential components of good literature. By focusing solely on psychological analysis, one may overlook the deeper, more mysterious qualities that make ordinary experiences profound and meaningful.
In practice
This quote could be included during a book club discussion about the themes in contemporary literature.
The one ironclad rule is that I have to try. I have to walk into my writing room and pick up my pen every weekday morning
I don't know what takes more courage: surviving a lifelong endurance test because you once made a promise or breaking free, disrupting all your world.
I just want to be told a story, and I want to believe I'm living that story, and I don't give a thought to influences or method or any other writerly concerns
I do write long, long character notes - family background, history, details of appearance - much more than will ever appear in the novel. I think this is what lifts a book from that early calculated, artificial stage.
It seems to me that since I've had children, I've grown richer and deeper. They may have slowed down my writing for a while, but when I did write, I had more of a self to speak from.
And she thought what a clean, simple life she would have led if it weren't for love.
Fiction is a lie that is told in the service of truth.
English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
Lots of people can write a good first page but to sustain it, that's my litmus test. If I flip to the middle of the book and there's a piece of dialogue that's just outstanding, or a description, then I'll flip back to the first page and start it.
I demand that my books be judged with utmost severity, by knowledgeable people who know the rules of grammar and of logic, and who will seek beneath the footsteps of my commas the lice of my thought in the head of my style.
Fiction is history, human history, or it is nothing.
Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated.
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