It's a privilege to serve the poor, to be servants of noble Africans, but I better belong in the rehearsal room or in the studio with my band. That's where I want to be and I still wake up in the morning with melodies in my head.
BonoRead
The great moments of rock 'n' roll were never off in some corner of the music world, in a self-constructed ghetto.
Interpretation
Rock 'n' roll's most significant moments emerged from mainstream culture, not isolated subcultures.
Bono emphasizes that the defining moments of rock 'n' roll music have always been intertwined with the broader cultural landscape, rather than being confined to niche or isolated communities. This notion speaks to the idea that influential art forms often gain their power and impact through connection and engagement with the wider world, rather than existing in solitude or obscurity.
In practice
This quote can be shared during a music festival to emphasize the impact of collaborative musical experiences.
It's a privilege to serve the poor, to be servants of noble Africans, but I better belong in the rehearsal room or in the studio with my band. That's where I want to be and I still wake up in the morning with melodies in my head.
Perspective is the cure for depression.
At a certain point, I just felt, you know, God is not looking for alms, God is looking for action.
It's much easier to be successful than it is to be relevant. The tricks won't keep you relevant. Tricks might keep you popular for a while, but in all honesty, I don't know how U2 will stay relevant. I know we've got a future. I know we can fill stadiums. And yet with every record, I think, 'Is this it? Are we still relevant?'
God is in the slums, in the cardboard boxes where the poor play house. God is in the silence of a mother who has infected her child with a virus that will end both their lives. God is in the cries heard under the rubble of war. God is in the debris of wasted opportunity and lives, and God is with us if we are with them.
Hanging out with politicians and corporations is very unhip work. But I think that the U2 audience have turned out to be incredibly subtle in their understanding.
Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.
The cool thing is that jazz is really a wonderful example of the great characteristics of Buddhism and great characteristics of the human spirit. Because in jazz we share, we listen to each other, we respect each other, we are creating in the moment. At our best, we're non-judgmental.
Every time a new record started, people exhaled with pleasure, or their bodies moved automatically. I really started getting high off of the euphoric exclamations. Every record I put on was like a baptism.
I used to think that, given enough goodwill, anybody would be able to 'get' any music, no matter how distant the culture from which it came. And then I heard Chinese opera.
We are the same. There is no difference anywhere in the world. People are people. They laugh, cry, feel, and love, and music seems to be the commons denomination that brings us all together. Music cuts through all boundaries and goes right to the soul.
In this day and age, when you can use a machine or computer to simulate or emulate what people can do together, it still can't replace the magic of four people in a room playing.
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