The hardest thing to teach young writers is that it's wonderful to tell your truth. And that's what you should do. But it damn well better be beautiful.
Interpretation
Young writers must learn the importance of expressing their truth while also striving for beauty in their writing.
In this quote, Dorothy Allison emphasizes the dual challenge faced by young writers: the necessity to convey their personal truths authentically and the equally important task of ensuring that their writing is aesthetically pleasing. This underscores the belief that writing is not just about honesty, but also about artistry, urging writers to find the balance between raw expression and polished presentation.
In practice
A writing workshop where the facilitator shares this quote to motivate participants.
Hunger makes you restless. you dream about food - not just any food, but perfect food, the best food, magical meals, famous and awe-inspiring, the one piece of meat, the exact taste of buttery corn, tomatoes so ripe they split and sweeten the air, beans so crisp they snap between the teeth, gravy like mother's milk singing to your bloodstream.
Behind my carefully buttoned collar is my nakedness, the struggle to find clean clothes, food, meaning, and money. Behind sex is rage, behind anger is love, behind this moment is silence, years of silence.
I have wanted everything as a writer and a woman, but most of all a world changed utterly by my revelations.
I did things I did not understand for reasons I could not begin to explain just to be in motion, to be trying to do something, change something in a world I wanted desperately to make over but could not imagine for myself.
There is a place where we are always alone with our own mortality, where we must simply have something greater than ourselves to hold onto-God or history or politics or literature or a belief in the healing power of love, or even righteous anger.... A reason to believe, a way to take the world by the throat and insist that there is more to this life than we have ever imagined.
And of course these days I feel like there is a nation of us - displaced southerners and children of the working class. We listen to Steve Earle, Mary J. Blige, and k.d. lang. We devour paperback novels and tell evil mean stories, value stubbornness above patience and a sense of humor more than a college education. We claim our heritage with a full appreciation of how often it has been disdained. And let me promise you, you do not want to make us angry.
That endless book, the newspaper, is our national glory.
The correct didactic analysis is one that does not in the least differ from the curative treatment. How, indeed, shall the future analyst learn the technique if he does not experience it just exactly as he is to apply it later?
Ideally, we should like to define a good book as one which 'permits, invites, or compels' good reading
It may be said that an education which does not succeed in making poetry a resource in the business of life as well as in its leisure, has something the matter with it.
It is much easier to condemn a child than to understand a child.
Children are remarkable for their intelligence and ardor, for their curiosity, their intolerance of shams, the clarity and ruthlessness of their vision.
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