Poetry is a fireplace in summer or a fan in winter.
Robert HassRead
It's hell writing and it's hell not writing. The only tolerable state is having just written.
Interpretation
Writing is a struggle, yet not writing brings its own pain; the only relief comes from having completed the task.
Robert Hass illustrates the inherent difficulties and emotional turmoil associated with the act of writing. He suggests that both the struggle to create and the discomfort of not creating are equally taxing, and the only moment of peace comes after the work is done, highlighting the paradox of the creative process.
In practice
A writer sharing their struggles at a literary event.
Poetry is a fireplace in summer or a fan in winter.
Sometimes from this hillside just after sunset The rim of the sky takes on a tinge Of the palest green, like the flesh of a cucumber When you peel it carefully.
Take the time to write. You can do your life's work in half an hour a day.
I think that the job of poetry, its political job, is to refresh the idea of justice, which is going dead in us all the time.
There are moments when the body is as numinous as words, days that are the good flesh continuing. Such tenderness, those afternoons and evenings, saying blackberry, blackberry, blackberry.
When I was younger, I was so crazy about poetry that I didn't notice who was noticing. It seemed to me so tremendous and large.
What bothered me was playing one-dimensional parts in films which were really about, 'Boy Meets Girl,' 'Will Boy Get Girl?'
I am writing to a rhythm and not to a plot.
In an essay, you have the outcome in your pocket before you set out on your journey, and very rarely do you make an intellectual or psychological discovery. But when you write fiction, you don't know where you are going - sometimes down to the last paragraph - and that is the pleasure of it.
Obviously I am a photographer and I believe in my medium: I do think that powerful photographs can force change. It doesn't take long to look and be engaged in a strong image whereas, with a story, you have to actually sit down and pause and be involved in it.
Century-old records are the closest thing we have to a time machine. To listen to the voice of Theodore Roosevelt or the piano playing of Claude Debussy is to feel the years falling away like autumn leaves from a maple tree.
Adapting a novel is not really about being faithful to every word and every moment the author has created. It's more about that same story being filtered through somebody else's sensibility.
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