I think we're going to enter a phase where there's less interest in the CGI and there's a demand for story again. I think we've dropped the ball a little bit on stories for the sake of the amazing toys that we've played with.
Peter JacksonRead
The most honest form of filmmaking is to make a film for yourself.
Interpretation
Filmmaking should be a personal expression rather than a commercial product.
Peter Jackson emphasizes that the truest and most sincere form of filmmaking comes from creating a film that resonates with oneβs own vision and passion, rather than solely focusing on pleasing an audience or filmmakers' market trends. This approach allows for authenticity and a deeper connection to the artistic process, ultimately leading to more meaningful art.
In practice
During a film festival, a director might share this quote to encourage aspiring filmmakers to stay true to their vision.
I think we're going to enter a phase where there's less interest in the CGI and there's a demand for story again. I think we've dropped the ball a little bit on stories for the sake of the amazing toys that we've played with.
We're human beings, and we want stories. We're always going to be entertained and have our emotions touched by humanity and by things that we recognize in our own lives. So whilst every now and again we'll be happy to watch a bubblegum film, it's never gonna be the only things that get made.
I have a freedom that's incredibly valuable. Obviously my freedom is far smaller in scale than people like Zemeckis and Spielberg have here. But it's comparable. I can dream up a project, develop it, make it, control it, release it.
Adapting a novel is not really about being faithful to every word and every moment the author has created. It's more about that same story being filtered through somebody else's sensibility.
As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.
I've always tried to make movies that pull the audience out of their seats... I want audiences to be transported.
There may be stranger reasons for being alive. There are books Thereβs interlibrary loan. There are books you can fall into and pull up over your head.
We find things beautiful because we recognize them and contrariwise we find things beautiful because their novelty surprises us.
I spend a lot of my time talking to the dead, but since I get paid for it, no one thinks I'm mad.
Every scene, even the commonest, is wonderful, if only one can detach oneself, casting off all memory of use and custom, and behold it (as it were) for the first time; in its right, authentic colors; without making comparisons. Cherish and burnish this faculty of seeing crudely, simply, artlessly, ignorantly; of seeing like a baby or a lunatic, who lives each moment by itself and tarnishes by the present no remembrance of the past.
There is a lot of propaganda about opera singers not being able to act. That's not necessarily true and hasn't been true for a very long time. And certainly there were those instances when singers were told they need to fit into a certain size dress. Of course, women. Men? They just make the costume bigger.
Right angles don't attract me. Nor straight, hard and inflexible lines created by man.
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