I will turn human anatomy into roses and stars and sea. I will dissect the beloveds body in metaphor.
Interpretation
The quote reflects the transformative power of love and art, turning the human experience into metaphors of beauty.
In this quote, the author expresses the idea of using art to reinterpret and elevate the human experience, particularly in relation to love. By invoking imagery like 'roses and stars,' the speaker suggests that through artistic expression, even the most intimate and vulnerable aspects of humanity can become beautiful and transcendent metaphors, illustrating the deep connection between love and artistry.
In practice
Use this quote in a speech about the importance of art in understanding human emotions.
Perception plays a vital role in the diagnosis of bipolar illness. Symptoms are perceived through the categories of psychiatric medicine at a given moment in history, categories which are continually shifting and being named or renamed.
Our memory fragments don't have any coherence until they're imagined in words. Time is a property of language, of syntax, and tense.
All human states are organic brain states - happiness, sadness, fear, lust, dreaming, doing math problems and writing novels - and our brains are not static.
I don't want the words to be naked the way they are in faxes or in the computer. I want them to be covered by an envelope that you have to rip open in order to get at. I want there to be a waiting time -a pause between the writing and the reading. I want us to be careful about what we say to each other. I want the miles between us to be real and long. This will be our law -that we write our dailiness and our suffering very, very carefully.
under our love making I felt a bleakness that couldnt be dispelled. The sadness was in both of us, and I think we pitied ourselves that night, as if we were other people looking down on the couple who lay together on the bed
People who grow up with two or more languages understand that each can express certain aspects of reality better than the other.
I can't work without a model. I won't say I turn my back on nature ruthlessly in order to turn a study into a picture, arranging the colors, enlarging and simplifying; but in the matter of form I am too afraid of departing from the possible and the true.
This is a work of fiction. All the characters in it, human and otherwise, are imaginary, excepting only certain of the fairy folk, whom it might be unwise to offend by casting doubts on their existence. Or lack thereof.
Everything we design is a response to the specific climate and culture of a particular place.
The whole world of publishing is moving to electronic, but when you put a poem on a screen and you increase the type size, the shape of a poem changes.
People think because it's photography it's not worth as much, and because it's a woman artist, you're still not getting as much - there's still definitely that happening. I'm still really competitive when it comes to, I guess, the male painters and male artists. I still think that's really unfair.
That powers my desire to write: the sense of how quickly everything on the surface of life can be cut away and you can suddenly be inside the most inner part of the most inner life of a person. What does it feel like there, and what are the regrets and sensations and longings, and what is the music of it?
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