Humans are imperfect. That's one of the reasons that classical and jazz are in trouble. We're on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
Interpretation
Perfection in performance is unattainable, reflecting the imperfection of human life.
Branford Marsalis highlights the struggle for perfection in music, particularly within classical and jazz genres, emphasizing that like life itself, music is inherently flawed. The pursuit of a perfect performance often overshadows the natural imperfections that make both music and life beautiful, reminding us that accepting imperfection can lead to greater authenticity and enjoyment.
In practice
During a music class, a teacher might use this quote to encourage students to embrace their mistakes.
Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. This special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
I've never missed a gig yet. Music makes people happy, and that's why I go on doing it - I like to see everybody smile.
The trouble is now, with rock'n'roll and stuff, it gets so big that it loses what once upon a time was a magnificent thing, where it was special and quite elusive and occasionally a little sinister and it had its own world nobody could get in.
I used to think that, given enough goodwill, anybody would be able to 'get' any music, no matter how distant the culture from which it came. And then I heard Chinese opera.
Playing the guitar is like telling the truth - you never have to worry about repeating the same [lie] if you told the truth. You don't have to pretend, or cover up. If someone asks you again, you don't have to think about it or worry about it because there it is. It's you.
If you come from Africa with your economic poverty and your cultural riches, and you meet someone like Peter Gabriel or a person from a big record company, and they tell you that what you are doing is marvelous, that makes you feel powerful.
Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.
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