I think it's important for people to stay human and remember that genuine human connection is more fulfilling than anything that technology has to offer. We all have it within us, and music is something that can bring that out of us.
Jon BatisteRead
I'm from Kenner, Louisiana, where music is played for every occasion in life. There's music for being born, there's music for dying... It's just natural. Families get really good because they play a lot together.
Interpretation
Music is an integral part of life in Kenner, reflecting the connection between family and celebration.
In this quote, Jon Batiste emphasizes the pervasive role of music in the lives of people from Kenner, Louisiana, where it plays a crucial part in celebrating both the joyous moments of life, such as births, and the solemn ones, like death. He suggests that this musical tradition brings families closer together, allowing them to bond and improve their musical skills through shared experiences.
In practice
This quote can be used to celebrate family gatherings during the holidays or special occasions.
I think it's important for people to stay human and remember that genuine human connection is more fulfilling than anything that technology has to offer. We all have it within us, and music is something that can bring that out of us.
There's a tradition - in New Orleans it still exists - where people play in the street. People play outside of the venues. Food, music, and that cultural exchange, it happens anywhere.
In a live performance, it's a collaboration with the audience; you ride the ebb and flow of the crowd's energy. On television, you don't have that.
The beauty of jazz is that it can accommodate all styles. You can take jazz and put rock in it, and it's still jazz.
The music is really about sharing an experience. That's why we call it Stay Human. It's like we're sharing this genuine human exchange.
The subway in New York is a great social experiment; there are so many races and ways of life sitting together on each car.
Reading the script, I started feeling very deeply bad for Freddie. Between his friends, his partners, and his woman, he was catching a hard time. 'Freddie's Dead' came to me immediately.
Clare Fischer was a major influence on my harmonic concept. He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it really came from. Almost all of the harmony that I play can be traced to one of those four people and whoever their influences were.
I'm really glad we came up when we did. When we got started, the record companies were concerned with building careers. They made sure you could put on a live show before you put a record out. And if your first album sold 100,000 to 200,000 copies, they were happy, because they figured you had your foot in the door on a way to a long career.
People in bands don't have the kind of conversations people might think they have. The best things about being in a band are the things that are unsaid.
If you want to play something that you hear, you need to listen with your mind's eye. You've heard of the mind's eye, right? Your mind has an ear too. It's a kind of listening, but it's not using your ears to listen. It's listening with your inner ear, and that's what you want to translate onto the guitar.
When my time is up in hip-hop, it's going to remain what Afrika Bambaataa thought it was supposed to be. It's going to remain what Kool Herc thought it was supposed to be; what Wu-Tang Clan sees it as; what Outkast sees it as; what Snoop Dogg sees it as. People are trying to forget that brand of hip-hop.
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