First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Oscar PetersonRead
I'm a musician and, just as the critics are hard on me, I'm hard on the critics.
Interpretation
Critics and artists hold each other to high standards, reflecting their mutual expectations.
In this quote, Oscar Peterson highlights the reciprocal relationship between artists and critics, suggesting that both parties critique each other rigorously. Musicians and creators often face harsh evaluations from critics, but in turn, they are justified in critiquing the critics, indicating a shared responsibility in the pursuit of excellence and authentic artistry.
In practice
In a discussion on an artist's album, this quote could reinforce the notion that every artist faces scrutiny.
First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos.
It's the group sound that's important, even when you're playing a solo. You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Montreal was a very active jazz center until club owners started putting in strippers instead of music. Before long, there was nothing to hear.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing. I believe in using the entire piano as a single instrument capable of expressing every possible musical idea. I have no one style. I play as I feel.
Whenever I write a novel, music just sort of naturally slips in (much like cats do, I suppose).
So vast is art, so narrow human wit.
My belief of book writing is much the same as my belief as to shoemaking. The man who will work the hardest at it, and will work with the most honest purpose, will work the best.
I think the chance of finding beauty is higher if you don't work on it directly. Beauty in architecture is driven by practicality. This is what you learn from studying the old townscapes of the Swiss farmers.
The reason some portraits don't look true to life is that some people make no effort to resemble their pictures.
I like to know the places I write about. I feel like it helps me ground the novel. My novels are 'realistic novels,' but they can also be fantastical, so it's nice to have a setting that grounds them a little bit.
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