Create your own visual style... let it be unique for yourself and yet identifiable for others.
Orson WellesRead
I'm never certain of a performance - my own or the other actors' - or the script or anything... But to me it seems there's only one place in the world the camera can be, and the decision usually comes immediately.
Interpretation
Uncertainty is an inherent part of performance, yet clarity can emerge in the moment of creation.
Orson Welles reflects on the unpredictable nature of performance and filmmaking, emphasizing that while uncertainty permeates every aspect—from the script to the actors—the most crucial decisions often emerge spontaneously. This insight highlights the artistic process as one that embraces chaos while recognizing the significance of instinctive choices in capturing the essence of a performance.
In practice
A theater director might quote this to inspire their cast during a rehearsal.
Create your own visual style... let it be unique for yourself and yet identifiable for others.
When people accept breaking the law as normal, something happens to the whole society.
A writer needs a pen, an artist needs a brush, but a filmmaker needs an army.
I passionately hate the idea of being with it; I think an artist has always to be out of step with his time.
Old age is the only disease you dont want to be cured of.
Movie directing is a perfect refuge for the mediocre.
I think people inspire me the most. If I meet a person who is incredibly complex, and all of a sudden, I start thinking in rhymes, that person could be a muse.
I always tell aspiring documentary filmmakers, 'You have to go into it because you love it; if you go into it for the money, you're an idiot.' The number one prerequisite is you have to be intensely curious. If you love learning and trying to make people figure out what makes people tick, it's the best job in the world.
Revolutionary art and visionary physics are both investigations into the nature of reality.
I always know when a novel is going to be a Barbara Vine one. In fact I believe that if I weren't to write it as Barbara Vine, I wouldn't be able to write it at all.
There is no such thing as realistic dialogue. If you [simply recorded] the real conversation of any people and played it back from the stage, it would be impossible to listen to. It would be redundant . . . . The good dialogue writer is the one who can give you the impression of real speech.
The Whole Business of Man is The Arts, & All Things Common.
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