There's a belonging problem in Hollywood. Who dictates who belongs? The very body who dictates that looks all one way.
Ava DuvernayRead
We're told that independent film lovers... folks that are used to watching art house films, won't come out and see a film with black people in it - I've been told that in rooms, big rooms, studio rooms, and I know that's not true.
Interpretation
The quote challenges the stereotype that audiences interested in independent films are not willing to watch films featuring black characters.
Ava Duvernay discusses her experiences in the film industry, highlighting the misconceptions held by some decision-makers about audience preferences. She asserts that the belief that independent film enthusiasts will not appreciate films with black narratives is unfounded and calls for a broader recognition of audience diversity and openness.
In practice
During a film festival discussion about diversity in cinema.
There's a belonging problem in Hollywood. Who dictates who belongs? The very body who dictates that looks all one way.
I just don't think there's a lot of support for the woman's voice in cinema, and it becomes really difficult to raise that money and start again every time.
I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
I think for female filmmakers a big issue is making their second and third films.
When we say there's a dearth of women directors, it's not that there's a lack of women who direct: it's a lack of opportunities and access for women to direct and be supported in that.
I intend to be making films until I'm an old lady. So, if God willing I get there, I need to create a paradigm for myself where I can make it regardless of whether or not they still like what I'm making.
You may choose your words like a connoisseur, And polish it up with art, But the word that sways, and stirs, and stays, Is the word that comes from the heart.
I'm attracted to soccer's capacity for beauty. When well played, the game is a dance with a ball.
My wife Martha used to call me Ol' Lemon Face because of my facial contortions when I play Lucille. I squeeze my eyes and open my mouth, raise my eyebrows, cock my head and God knows what else. I look like I'm in torture, when in truth, I'm in ecstasy. I don't do it for show. Every fiber of my being is tingling.
I am like a caricature of myself, and I like that. It is like a mask. And for me the Carnival of Venice lasts all year long.
The only way artists can do things is to do it for themselves. Trying to second guess what the public wants or likes is kind of a fool's game.
Eloquence is a painting of the thoughts.
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