Somewhere along the line a convention developed that the opening of a film was just a laundry list of credits. There was no incentive to complicate an area that was settled.
Saul BassRead
My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.
Interpretation
A title can evoke emotions and set the tone for a film's story.
Saul Bass emphasizes the significant role of a title in filmmaking, suggesting that it goes beyond mere nomenclature; it acts as a conditioning tool that prepares the audience emotionally for the experience they are about to have. By using metaphorical language, a title can encapsulate the essence of the story and create an initial emotional connection, enriching the viewer's engagement once the film starts.
In practice
In a film studies class when discussing the importance of effective titles.
Somewhere along the line a convention developed that the opening of a film was just a laundry list of credits. There was no incentive to complicate an area that was settled.
In the course of our daily lives, we're bombarded with a barrage of visual messages, some blatantly aggressive, some subtle. The trick is to find a way to break through without adding to the clutter and the ugliness. We have to be responsible about that.
I want to make beautiful things, even if nobody cares.
Logos are a graphic extension of the internal realities of a company.
My work on titles was a marvelous opportunity to learn about filmmaking. I think I touched on just about every aspect of the process, both creative and technical. And I worked with many wonderful people.
When I provided the disembodied arm as the logo for 'The Man With the Golden Arm,' it was the first time an advertising-publicity campaign was based on a single symbol. Until then film companies used a variety of symbols and photographs to cover all bets. The concept of using one logo was mine and Otto Preminger's.
I remember saying to myself those things are very, very important to hear, but there must be another way to say them so that they will truly be heard. I mean, that's what art is. Art is about being provocative. Art is also about beauty. And if you leave the latter out, the former doesn't matter.
I thought Star Wars was too wacky for the general public.
Style is knowing who you are, what you want to say, and not giving a damn.
Poets are being pursued by the philosophers today, out of the poverty of philosophy. God damn it, you might think a man had no business to be writing, to be a poet unless some philosophic stinker gave him permission.
We write because we believe the human spirit cannot be tamed and should not be trained.
I like the construction of sentences and the juxtaposition of words-not just how they sound or what they mean, but even what they look like.
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