But most commonly, it's one poem that I work on with a lot of intensity.
Philip LevineRead
It's ironic that while I was a worker in Detroit, which I left when I was twenty six, my sense was that the thing that's going to stop me from being a poet is the fact that I'm doing this crummy work.
Interpretation
The speaker reflects on the irony of how their jobs hindered their aspiration to be a poet.
In this quote, Philip Levine expresses the irony of feeling constrained by his work in Detroit. He suggests that the low-quality jobs he held served as both a source of living and a barrier to achieving his true passion for poetry, highlighting the struggles artists often face when pursuing their creative dreams amidst the demands of everyday life.
In practice
Use this quote to inspire young artists who feel discouraged by their day jobs.
But most commonly, it's one poem that I work on with a lot of intensity.
Meet some people who care about poetry the way you do. You'll have that readership. Keep going until you know you're doing work that's worthy. And then see what happens. That's my advice.
I'm afraid we live at the mercy of a power, maybe a God, without mercy. And yet we find it, as I have, from others.
If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem.
I'm saying look, here they come, pay attention. Let your eyes transform what appears ordinary, commonplace, into what it is, a moment in time, an observed fragment of eternity.
Now I think poetry will save nothing from oblivion, but I keep writing about the ordinary because for me it's the home of the extraordinary, the only home.
She said it out loud, the words distributed into a room that was full of cold air and books. Books everywhere! Each wall was armed with overcrowded yet immaculate shelving. It was barely possible to see paintwork. There were all different styles and sizes of lettering on the spines of the black, the red, the gray, the every-colored books. It was one of the most beautiful things Liesel Meminger had ever seen. With wonder, she smiled. That such a room existed!
I don't start a film with the heroine but with the cinema subject. If there is a woman in the story, she has to be of a particular type. It's not as if I start with Madhuri Dixit and then think what kind of film.
If you're writing a detective novel or horror or sci-fi, you want to expand or reinvigorate the genre in your own little way.
I hate straight singing. I have to change a tune to my own way of doing it. That's all I know.
When I applied for grad school, I did not specify genre. I said I wanted an MFA in Creative Writing. I was so cute and stupid! The admissions committee at Pitt decided to put me in poetry.
While photography is the easiest medium in which to be competent, it is the hardest in which to develop an idiosyncratic personal vision.
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